Korean witch performers, also known as "mudangs," are traditional shamans in Korean culture. They are believed to have the ability to communicate with spirits and perform rituals to heal the sick, protect against evil spirits, and divine the future. Mudangs, or shaman-priestesses, have been an integral part of Korean society for centuries. They play a crucial role in various religious and social ceremonies, such as weddings, funerals, and harvest festivals. Their presence is believed to bring blessings and ensure the success of these events. To become a mudang, one usually undergoes a spiritual calling or initiation, where they are believed to be chosen by the spirits.
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Currently, New York Fashion Week is all over the place, merging the worlds of theatre and style Spike Jonze s work for Opening Ceremony flipped the traditional runway method on its head with a stage production starring Jonah Hill , while Altuzarra took a page from the spell book of Practical Magic itself with long, flowing dresses in neutral, so-nineties-they-almost-seem-thrifted tones. Anyway, after saving her own life, Maria is banished to an island and has a full-on breakdown understandably , which effectively leads her to cursing her blood line any man who dares love an Owens woman is doomed to die.
To become a mudang, one usually undergoes a spiritual calling or initiation, where they are believed to be chosen by the spirits. They receive training from experienced mudangs and learn various rituals, prayers, and dances. During a shamanic ritual, a mudang enters a trance-like state, called "narat," where they channel the spirits and convey their messages and blessings to the human realm.
Various – Practical Magic (Music From The Motion Picture)
Music From The Motion Picture. An earlier version of the soundtrack before they replaced Nyman's score with one by Alan Silvestri.
1. Welsh Witch Music (administered by Sony/ATV Songs LLC) BMI
Stevie Nicks appears courtesy of Warner Bros. Records Inc. ✳ Sheryl Crow appears courtesy of A&M Records, Inc., a PolyGram company. ℗ 1998 Warner Bros. Records, Inc.
2. Warner-Tamerlane Publishing Corp. on behalf of itself and Puckalesia Songs and Nomad-Noman Music BMI/Almo Music Corp. on behalf of itself and Anwa Music and BNC Songs ASCAP ✳ Faith Hill appears courtesy of Warner Bros. Records Inc. ℗ 1998 Warner Bros. Records, Inc.
3. Jobete Music Co., Inc. All Rights administered and controlled by EMI April Music Inc. ASCAP ✳ Marvin Gaye appears courtesy of Motown Record Company, L.P. ✳ By arrangement with PolyGram Film & TV Music ℗ 1977 Motown Record Company, L.P.
4. SPLS/Chrysalis Music ASCAP ℗ 1998 Reprise Records
5. Warlock Music Ltd. PRS. All rights for U.S. and Canada controlled and administered by Pubco and by Songs of PolyGram International for the rest of the world BMI ✳ Nick Drake appears courtesy of Rykodisc & Island Records Ltd. ✳ By arrangement with PolyGram Film & TV Music ℗ 1979 Island Records Ltd.
6. Joni Mitchell Publishing Corp. (Administered by Sony/ATV Tunes LLC) ASCAP
7. BMG Songs, Inc./Wannabite Music/Wayne's World ASCAP ✳ Michelle Lewis appears courtesy of Giant Records by arrangement with Warner Special Products ℗ 1998 Giant Records
8. Screen Gems-EMI Music Inc. on behalf of itself and Sebanine Music Inc. BMI ✳ Elvis Presley appears courtesy of The RCA Records Label of BMG Entertainment ℗ 1973 RCA Records
9. Les Editions Audiogram/Kaligram SOCAN. Bran Van 3000 appears courtesy of Capitol Records under license from EMI Music Special Markets ℗ 1998 Capitol Records, Inc.
10. EMI Blackwood Music Inc. BMI ✳A Nilsson House Production ✳ Harry Nilsson appears courtesy of The RCA Records Label of BMG Entertainment ℗ 1989 Originally recorded prior to 1972. All rights reserved by BMG Music.
11. Welsh Witch Music (administered by Sony/ATV Songs LLC) BMI/Elaine Lasseff Music/Pogologo Music/Mother Pearl Music ASCAP ✳ Stevie Nicks appears courtesy of Warner Bros. Records, Inc. ✳ Sheryl Crow appears courtesy of A&M Records, Inc. a PolyGram company. ℗ 1998 Warner Bros. Records, Inc.
12 & 13: Publishing: Warner-Tamerlane Publishing Corp. BMI ✳ Recorded and mixed at Abbey Road Studios, London, August 15, 16, 1998 ℗ 1998 Warner Bros.
(Back cover) © 1998 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S. Motion picture artwork, TM & copyright © 1998 Warner Bros. This compilation ℗ 1998 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S.
(CD) ©℗ 1998 Reprise Records, a Time Warner Company. Made in U.S.A. Mfg by WEA Manufacturing. Motion picture artwork, TM & copyright © 1998 Warner Bros.
To Russ. for believing.
These rituals often involve drumming, chanting, and dancing. In addition to their spiritual role, mudangs also provide counseling and comfort to their clients. People seek their guidance for various personal issues, such as health problems, relationship difficulties, and business decisions. While the role of mudangs has diminished in modern Korean society due to urbanization and the influence of other religions, there is still a significant number of practitioners who continue to preserve this ancient tradition. In recent years, there has been a resurgence of interest in Korean shamanism, with cultural festivals, museums, and academic studies dedicated to preserving and understanding this unique aspect of Korean culture..
Reviews for "Mind Over Matter: The Magic Tricks of Korean Witch Performers"
1. John - ★☆☆☆☆
I was really disappointed with the Korean witch performers. The whole show felt lacking in creativity and the performances were not engaging at all. The performers seemed robotic and their movements were not fluid. I also found the storyline to be quite confusing and it was difficult to follow what was happening on stage. Overall, I would not recommend this show.
2. Sarah - ★★☆☆☆
The Korean witch performers had potential, but it fell short for me. The costumes and set design were visually appealing, but the actual performances felt lackluster. The storytelling was unclear and there were moments when I couldn't understand the purpose of certain scenes. Additionally, the dancers did not exude the same level of energy and passion that I have seen in other similar performances. It was a disappointing experience overall.
3. Chris - ★★☆☆☆
I had high expectations for the Korean witch performers, but unfortunately, it failed to captivate me. The choreography lacked originality and the overall execution felt amateurish. The performers seemed to be going through the motions without any real emotion or connection to the audience. The show lacked a cohesive narrative and there were moments when I felt completely disconnected from what was happening on stage. I wouldn't recommend this show unless you have a specific interest in Korean witch folklore.
4. Emily - ★★☆☆☆
I was not impressed with the Korean witch performers. The show seemed disjointed and lacked a clear direction. The choreography felt repetitive and uninspired, and the dancers appeared to be out of sync at times. Moreover, the music choices did not enhance the performance and often felt out of place. Overall, I found the show underwhelming and it did not meet my expectations. I would not recommend it to others.