In his book "Ways of Seeing," Jonqh Berger introduces the concept of "magic words" to explore the power of language in shaping our perception of images. According to Berger, these "magic words" function as a disguise, often distracting us from seeing the true meaning and context of a visual representation. Berger argues that our familiarity with certain phrases, such as "art," "beauty," or "originality," influences our interpretation of images. These words suggest an inherent value or significance, leading us to perceive certain artworks or objects as more important or meaningful than others. Consequently, Berger suggests that the use of "magic words" can perpetuate a hierarchical understanding of art and reinforce established norms and biases. One example Berger provides is the word "original.
Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.
Once they begin towing the ghost ship towards harbor, a series of bizarre occurrences happen and the group becomes trapped inside the ship, which they soon learn is inhabited by a demonic creature. Using it as leverage to meet Fiona, Sara Gleeson and Miranda, Tempany Deckert from school and get invited to a Halloween Party, he becomes convinced that the statue has come alive and produced a hibernating bat.
One example Berger provides is the word "original." He explains how the concept of originality has become strongly associated with artistic value in Western society. An original artwork, he argues, is seen as having more worth than a copy or a reproduction.
Curse of the talksiman
Attempting to do a favor, teenager Jeremy Campbell, (Jesse Spencer) is given a strange statue from his work and keeps it in his basement. Given a box of strange charms as well, he becomes fascinated with a strange talisman found inside. Using it as leverage to meet Fiona, (Sara Gleeson) and Miranda, (Tempany Deckert) from school and get invited to a Halloween Party, he becomes convinced that the statue has come alive and produced a hibernating bat. Tracking down the collection, priest Eccleston, (Rob Mullinar) arrives in town to see that the statues are safe, which really contain a race of gargoyles from the Middle Ages that were to destroy the world before being turned to stone. It manages to get loose from his basement, it launches a reign of terror through the community that doesn't seem to end. Realizing the true intentions of the gargoyles, they race to stop them before they complete their mission.
- Colin Budds Director
- Duncan Kennedy Writer
Top Billed Cast
- Jesse Spencer Jeremy Campbell
- Tempany Deckert Miranda
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Original Language English
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This emphasis on the original can limit our understanding of art, as it focuses our attention on the object itself rather than the ideas, emotions, or social commentaries it may convey. By encouraging us to value a particular form of art, these "magic words" can stifle creativity and limit the diversity of artistic expressions. Another concept explored by Berger is the word "beauty." Berger suggests that the word "beauty" has become synonymous with physical attractiveness and, by extension, with femininity. Through the use of this "magic word," images of women are often reduced to mere objects of visual pleasure, reinforcing gender stereotypes and objectifying women. In this way, "magic words" not only shape our perception of art but can also perpetuate harmful societal norms and power dynamics. In conclusion, Berger's exploration of "magic words" in "Ways of Seeing" sheds light on the influence of language in our interpretation of images. By uncovering the role of these words, Berger invites us to question and challenge our preconceived notions of art and beauty. He encourages us to critically engage with visual representations and uncover the hidden meanings and contexts behind them. Through this process, we can develop a more nuanced and democratic understanding of art and challenge the power dynamics perpetuated by these "magic words.".
Reviews for "Boosting Engagement with Jonah Berger’s Magic Words"
1. Sarah - 1 star
I was really disappointed with "Jonqh berger magic wordd". The whole concept seemed interesting, but the execution was lacking. The writing was amateur, with numerous spelling and grammar errors that became distracting. The characters were one-dimensional and poorly developed, making it hard to feel any connection or investment in their stories. Overall, the book felt rushed and poorly edited, which greatly affected my enjoyment of it.
2. Mark - 2 stars
"Jonqh berger magic wordd" had an intriguing premise, but it failed to deliver on its promises. The pacing was slow, and the plot felt disjointed and confusing at times. The author tried to incorporate too many elements without giving them enough depth, resulting in a shallow and unsatisfying read. I was left wanting more character development and a clearer direction for the story. While the book had potential, it fell short of my expectations.
3. Emily - 1.5 stars
I struggled to finish "Jonqh berger magic wordd". The writing style was dry and lacked any emotion or depth. The dialogue felt forced and unnatural, making it hard to connect with the characters. Additionally, the world-building was confusing and poorly explained, leaving me with more questions than answers. Overall, I found the book to be uninteresting and forgettable. I wouldn't recommend it to anyone looking for a captivating read.