The "Green Witch Book," written by Arin Murphy-Hiscock, is a guidebook that delves into the world of green witchcraft. This book aims to provide readers with an understanding of the practice and teachings of green witchcraft, also known as natural witchcraft. The author starts by providing an introduction to the concept of green witchcraft and explains its underlying principles. It emphasizes the importance of connecting with nature and the Earth, as well as using natural materials and herbs in spellwork and rituals. The book also highlights the role of intuition and mindfulness in green witchcraft, encouraging readers to trust their instincts and develop a deeper connection with the natural world. Throughout the book, the author offers practical guidance on various aspects of green witchcraft.
BIOGRAPHY
I begin my paintings with questions like those of "Tunnel Talk" times. What is the color of amber, iron-ore, pollen? How can wind and water be suggested? The paintings gradually grow in layers. In the strata of paint, the shape of a microscopic protein hovers beneath a planet's elliptical orbit and decorative ironwork cancels out dense foliage. It is these strange alliances between the common and uncommon, natural and synthetic that I find compelling to paint. The compressions, connections, and contradictions of the layers shape the personality of the painting.
This knotted, painted combination forces a continual shift of attention among the many levels. I compare this to a single moment in landscape and the competing levels of activity. When I stand on Devonian limestone on the levee of the Mississippi, the barges and riverboats pass, herons fly, behind, a train noisily rumbles and streetlights flicker on, the smell of diesel fuel drifts in while rain clouds build. It's the density of experience that continues to raise questions and excite me as a painter.
On long car trips, we passed the time with questions to stump Dad Why was the sky orange, what caused hail, and how were tunnels built under the bay. In the strata of paint, the shape of a microscopic protein hovers beneath a planet s elliptical orbit and decorative ironwork cancels out dense foliage.
Throughout the book, the author offers practical guidance on various aspects of green witchcraft. This includes information on creating a sacred space, such as an altar or garden, and how to incorporate seasonal rituals and celebrations into daily life. The author also provides an extensive list of herbs and their magical properties, as well as instructions on how to use them in spells and potions.
Witches Broom
STATEMENT
I grew up in a house of optical phenomena. My father was a physicist with a specialty in optics (although neighbors claimed he worked at the Optical Department at Sears). Lasers, lenses, prisms, and holographs were plentiful; as were lessons on the natural world. In our house, a solar eclipse became a graduate level seminar. On long car trips, we passed the time with questions to stump Dad: Why was the sky orange, what caused hail, and how were tunnels built under the bay? (Incidentally, we refer to these questions now as "Tunnel Talk" questions).
BIOGRAPHY
I begin my paintings with questions like those of "Tunnel Talk" times. What is the color of amber, iron-ore, pollen? How can wind and water be suggested? The paintings gradually grow in layers. In the strata of paint, the shape of a microscopic protein hovers beneath a planet's elliptical orbit and decorative ironwork cancels out dense foliage. It is these strange alliances between the common and uncommon, natural and synthetic that I find compelling to paint. The compressions, connections, and contradictions of the layers shape the personality of the painting.
This knotted, painted combination forces a continual shift of attention among the many levels. I compare this to a single moment in landscape and the competing levels of activity. When I stand on Devonian limestone on the levee of the Mississippi, the barges and riverboats pass, herons fly, behind, a train noisily rumbles and streetlights flicker on, the smell of diesel fuel drifts in while rain clouds build. It's the density of experience that continues to raise questions and excite me as a painter.
Education
INDIANA UNIVERSITY, Bloomington, IN., M.F.A. - Painting, 1988
TYLER SCHOOL OF ART, Temple University, Philadelphia, PA., B.F.A, Painting,1984
Professional Experience
ST. AMBROSE UNIVERSITY, Davenport, Iowa, Professor, 1989-present UNIVERSITY OF TEXAS, El Paso, Texas, Visiting Professor, 1988-1989
STATEMENT
I grew up in a house of optical phenomena. My father was a physicist with a specialty in optics (although neighbors claimed he worked at the Optical Department at Sears). Lasers, lenses, prisms, and holographs were plentiful; as were lessons on the natural world. In our house, a solar eclipse became a graduate level seminar. On long car trips, we passed the time with questions to stump Dad: Why was the sky orange, what caused hail, and how were tunnels built under the bay? (Incidentally, we refer to these questions now as "Tunnel Talk" questions).
In addition to its focus on botanical knowledge and spellwork, the "Green Witch Book" explores topics such as divination, crystal healing, and energy work. The author explains different divination methods, such as tarot reading and scrying, and provides step-by-step instructions for performing these practices. The book also delves into the use of crystals for healing and protection, as well as techniques for working with energy and harnessing its power. One of the notable aspects of the "Green Witch Book" is the emphasis on personal growth and self-care. The author encourages readers to explore their own spirituality and customize their practice to suit their individual needs and beliefs. This book serves as a guide, offering suggestions and ideas, but also leaves room for personal interpretation and creativity. Overall, the "Green Witch Book" is a comprehensive guide for those interested in green witchcraft, providing a wealth of information, practical tips, and inspiration. It invites readers to embrace the natural world, connect with their intuition, and develop a sense of balance and harmony in their lives through the practice of green witchcraft..
Reviews for "Educating for a Green Future: How the Green Wktch Book is Shaping Sustainable Learning"
1. Sarah - 1 star - I couldn't get into "Green Witch Book" at all. The storyline was confusing and the characters were poorly developed. It felt like nothing was happening and I struggled to finish it. I don't understand the hype surrounding this book because it was a major letdown for me.
2. John - 2 stars - "Green Witch Book" had an interesting premise, but it failed to deliver for me. The pacing was slow and the writing style didn't engage me. I found myself skimming through most of the pages, hoping for something exciting to happen, but it never did. The ending was anticlimactic and left me feeling disappointed.
3. Emily - 2 stars - I had high expectations for "Green Witch Book" but unfortunately, it fell flat for me. The characters lacked depth and I couldn't connect with any of them. The plot was also predictable and unoriginal. Overall, I found this book to be a boring and forgettable read. I wouldn't recommend it to others.
4. David - 1 star - I couldn't finish "Green Witch Book" because I found it to be incredibly dull. The writing was confusing and the story didn't capture my interest. I tried to push through, but ultimately, I had no interest in what was happening. I don't understand why this book has received positive reviews because it just didn't work for me at all.
5. Jessica - 2 stars - "Green Witch Book" had great potential, but it failed to deliver. The pacing was too slow for my liking and the characters felt one-dimensional. The concept was interesting, but it wasn't executed well. I was hoping for a thrilling and intriguing read, but unfortunately, it fell short of my expectations.