five fifty five bamberg

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Regal magical folks and fairy tales from the diaspora are an important aspect of diverse storytelling. These stories present characters from different cultures and backgrounds who possess extraordinary abilities and powers. They often showcase multicultural perspectives, amplifying the narratives of marginalized communities. Fairy tales from the diaspora highlight the experiences of individuals who have migrated or are descendants of migrants. These stories not only entertain but also serve as powerful tools for cultural preservation and identity formation. They provide a platform for the exploration of memory, heritage, and a sense of belonging.


The trouble with such a setup is that Emeraude, despite the great responsibility she carries, is only human. She is expected to devote her whole being to Cephiro, but when her heart begins to yearn for a man, things begin to go wrong. That devotion does not allow for love, so when Emeraude fell for Zagato, she was caught in a terrible vice, and as a result, Cephiro begins to reflect that strife. Praying for a way out, she sent out a prayer to harken the strings of destiny. and this was how Hikaru, Umi, and Fuu were drawn into Cephiro.

The Pillar of Cephiro must spend every waking moment of their existence praying for Cephiro s benefit, and when Princess Emeraude fell in love with Gallery. Be killed by the Magic Knights in order to stop destruction of Cephiro since she loves Zagato and can t pray only for peace in the whole of Cephiro succeeded.

Magic knight rayeartg emeraide

They provide a platform for the exploration of memory, heritage, and a sense of belonging. Within these tales, regal magical folks often take center stage. These characters are portrayed as royalty, possessing both physical and metaphysical prowess.

Tear Jerker / Magic Knight Rayearth

  • Hikaru's face in episode 2, "Presea, the Master Smith in the Forest of Silence" when she has only a piece of her favorite candy to offer as payment for weapons becomes this and a heartwarming moment.
  • Hikaru, Umi, and Fuu explaining why the vision they see in the Spring of Eterna are the ones most precious to them; Hikaru saw her dog, Hikari, Umi saw her parents, and Fuu saw herself in episode 5 "Escudo, the Legendary Ore".

Hikaru: He's one of my best friends! He was always right by my side whenever I had to cry! When I hurt myself, he'd be there to comfort me. He can't speak to me in words, but we can understand each other just fine! He's one of my closest friends in the whole world!

Umi: These are my loving parents! They sheltered me with their love every day when I was growing up and I saved it up in my heart all this time! And I'm going to return all of it by taking care of them when they need me and grow old! I haven't had the chance to repay any of their kindness yet; there's no way I'd ever hurt my mother and father!

Fuu: I am extremely important to myself! If something were to happen to me, my father, my mother, my sister. everyone who loves me would feel the pain! I am still young yet, and have done nothing for those who love me, so at least I need to tell them I appreciate their love! That is all I can do at this point. That's why I am important to myself!

  • Even with all the Fridge Logic surrounding Presea's Back Up Twin Sierra , the scene in which she sadly talks to Mokona about her identity issues, her Unrequited Love for Clef and how she can't grieve for Presea is very depressing.
  • You know what makes it worse? The beast actually hesitated because she had been so nice to it, but Ascot pushed it into trying to kill her anyway.
  • Hikaru has already been established as missing her dog in several episodes, so the moment she sees this thing, she latches onto it as a Replacement Goldfish, even giving it her dog's name. Even when it violently turns on her, she refuses to attack it. Eventually, she's forced to choose between Hikari and her friends and every other creature in the forest. and must kill the animal that represents her own dog. From an audience point of view, it doesn't help that Hikari looks and sounds like a proto-Eevee.
  • Umi's weapon evolves in episode 9 when she breaks through the Lotus-Eater Machine and accepts that she's got to become a Magic Knight. She makes it back just in time to save Hikaru and Fuu from Alcyone.
  • Ferio's backstory and why he intentionally had his memories of being Emeraude's brother sealed .
  • To elaborate, the whole scenario ends up being an utter tragedy from the perspective of all three factions. From Zagato's point of view, the woman he loves is forced into a position where she's forced to sustain the health and safety of the entire world at the expense of having her heart broken for all eternity, and he's desperately trying to stop her from committing assisted suicide. From Emeraude's point of view, the world she's sworn to maintain is falling to ruin all around her, because she can't stop loving Zagato enough to focus on her duty as the Pillar. And the only way out is for her to summon the Magic Knights and trick them into killing her. Not to mention, she has to watch Zagato die first, rendering her heartbreak all for nothing. And from the Magic Knights' point of view, they spend their whole adventure fighting off Zagato's minions, unlocking their powers, and summoning the Rune gods only to find out that the sorcerer they just killed was actually Emeraude's lover the whole time. And then, they have to kill the very princess they were trying to rescue before she goes mad with grief and wishes for Cephiro's destruction. It's no wonder that after the girls are sent home, all they can do is hug each other and cry over everything they've gone through.
  • It's worse in the manga. In the anime, the season ends with Hikaru giving a dramatic speech about how she wants to protect the land that Princess Emeraude loved so much. In the manga, the shot simply cuts to the girls clinging to each other and weeping, with Hikaru screaming "It's not fair!" over and over.
  • It makes the prelude to it a tearjerker upon re-reading, or watching. Seeing the girls' joy and excitement after killing Zagato, thinking that they've completed their task and saved the world, and knowing what's about to happen is gutwrenching .
  • There's also the fact that this was the intended, final ending until enough fans complained.
  • Zagato's last words just before he dies.
Zagato: Emeraude, please, be free.
  • The second season's own finale is even worse. Voice actors for all versions (including the original Japanese version) were reputedly driven to tears. If it can affect the cast like that, think about what it could do to the viewers.
  • Super Robot Wars T and Super Robot Wars 30 recreates the entire thing. And it's still just as sad as it was, even more so as Zagato is one of the hardest bosses of the game and you can feel how desperate he is at trying to save Emeraude, and he also got a dose of Adaptational Heroism, trying to make space for fellow people of Cephiro to live in Earth after Cephiro eventually crumbles . Oh and if you think you could save them in this game just like the other games that the franchise did to spare characters who die? Much like their previous takes on tragic deaths with Kamina and Lockon Stratos I, there is no way out of this. If you thought it was sad enough, the various other pilots from different franchises reacting to it only makes it all the worse (with several of them realizing the truth). Really, this extra line from Hikaru says just how tragic this situation is:
All she did was love someone! I don't understand it! Why does she have to die for that!?
  • The change in the ending theme really hammers it home. The version of the ending theme Asu he no Yuuki (Courage Toward Tomorrow in english) played in previous episodes is a soft rock style with a cheerful beat that seems to carry the message just keep trying when things are hard and you'll overcome it. But when the season one finale changes to an acoustic version with a slower beat, it seems to change the message to be brave when facing tragedy and do your best to get through.
Umi: Stop it, Hikaru!
Fuu: Please don't hurt yourself, Hikaru. This isn't Cephiro. I can't heal you.
  • Lafarga's harsh attitude towards Lantis, while understandable, is still rather sad.
  • The heartbroken look in Hikaru's eye's when Fake! Lantis says he could never have feelings for the person who killed his brother.
  • Debonair destroying Nova's Regalia, then coldly telling Nova that she has no more need for her and that she can just die along with the Magic Knights.
  • True Nova had been nothing but a monster up to that point, but she saw Debonair as her own mother. Not to mention she was pleading with her for help, only to be callously told to die.
Hikaru: He's one of my best friends! He was always right by my side whenever I had to cry! When I hurt myself, he'd be there to comfort me. He can't speak to me in words, but we can understand each other just fine! He's one of my closest friends in the whole world!
Five fifty five bamberg

The regality signifies their importance and power within their respective communities. Their magical abilities further reinforce their exceptional status. The regal magical folks in these tales are often imbued with mystical powers that are deeply rooted in their cultural traditions. These powers might include shape-shifting, spell casting, or possessing superhuman strength. These abilities not only make them extraordinary within their communities but also allow them to navigate and overcome the challenges they face. These characters also serve as symbols of resistance and empowerment. Their abilities enable them to challenge societal norms and expectations, often pushing the boundaries of what is considered possible. Through their journeys, they inspire readers to embrace their own uniqueness and stand up against injustice. Furthermore, regal magical folks and fairy tales from the diaspora contribute to the representation of diverse voices and perspectives in mainstream literature. They challenge the dominance of Eurocentric narratives and expand the literary landscape. These stories open doors for exploration, education, and celebration of cultures often overlooked or marginalized. In conclusion, regal magical folks and fairy tales from the diaspora play a vital role in storytelling. They showcase the power, resilience, and cultural richness of marginalized communities. These narratives provide a platform for cultural preservation, identity formation, and representation. By featuring regal characters with extraordinary abilities, these tales inspire readers to embrace their own uniqueness and challenge societal norms..

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five fifty five bamberg

five fifty five bamberg