Crazy spell Roland is a popular phrase in modern English that is often used to describe someone who is acting irrationally or in a way that is unpredictable. The term "crazy" suggests that the person's behavior is unusual or unexpected, while "spell" implies that it is temporary or fleeting. The origins of this phrase are unclear, but it is believed to have its roots in folklore or mythology. Roland is a character from medieval literature, known for his bravery and heroism. However, in some versions of the story, he is also portrayed as having moments of madness or erratic behavior. Therefore, the phrase "crazy spell Roland" may be a reference to these stories, suggesting that the person in question is temporarily exhibiting similar behavior to Roland.
"Bread Winners Association was always an idea," he says. "I got serious with it upon being reinserted into society. This is the way I see it. If you're making money and supporting yourself or your family, you're a Bread Winner. It's not about how much money you make. It's about hustling to survive for a better life for yourself and the people you love. It also means, 'Be what you are'. The biggest quote for me is Shakespeare's 'To thine own self be true'. That's my philosophy. If I'm in a situation, it has to feel like me."
2013 saw him make waves a few times with The Luca Brasi Story, which Rolling Stone dubbed One of the 20 Best Hip Hop Albums of 2013 , and an incendiary feature on Pusha T s Trust You. Once again, he attracted everybody from Plies Keep Fucking With Me and Rico Love Go Hard to 2 Chainz Bet I m On It and the late, legendary Doe B Amnesia to the studio.
Therefore, the phrase "crazy spell Roland" may be a reference to these stories, suggesting that the person in question is temporarily exhibiting similar behavior to Roland. It is often used in a lighthearted or whimsical manner, rather than as a serious description of someone's mental state. Overall, the phrase "crazy spell Roland" is an idiomatic expression used to describe someone who is behaving in an unpredictable or erratic manner.
Kevin Gates
As an artist, you've got to know yourself and your own vision first and foremost. Kevin Gates certainly does. The Baton Rouge-based rapper doesn't pull any punches, and his honesty fuels everything he does. More importantly, you can get to know him very well just by listening to what he's got to say on tape.
Rap felt like destiny for him from a very young age. In a house with stacks of records and CDs, he became engaged by the likes of Snoop Dogg, Dr. Dre, Bone Thugs-n-Harmony, and The Notorious B.I.G. as a child. Watching music videos religiously, the burgeoning MC would then perform for his aunts and uncles during family gatherings. "I'd emulate what I saw on TV," he recalls. "I'd pretend like I was a rapper for my family. I just knew that this is what I was meant to do. I never questioned it. I felt that for as long as I can remember."
In 2004, he entered a local studio for the very first time and started professionally recording. Three years later, he dropped his breakout debut mixtape, Pick Of Da Litter. As he passed out thousands of CDs around the area, his buzz started to spread like wildfire and he began playing multiple shows per week. Shortly after, he unleashed the 2008 hit "Get in the Way" featuring Lil Boosie, developing a devout national following in the process. However, in the aftermath of the track's success, Gates faced incarceration until 2011. "When I got out, my fan base had strangely grown," he admits. "It was so crazy to me. Once I came home, I knew that I had to just focus on the music. I practically never left the studio after that. It was all about recording and making more songs." Gates also took the opportunity to found his very own record label, Bread Winners Association, in 2011. As a banner for his movement, the company touts an important ethos for the artist that courses through all of his output.
"Bread Winners Association was always an idea," he says. "I got serious with it upon being reinserted into society. This is the way I see it. If you're making money and supporting yourself or your family, you're a Bread Winner. It's not about how much money you make. It's about hustling to survive for a better life for yourself and the people you love. It also means, 'Be what you are'. The biggest quote for me is Shakespeare's 'To thine own self be true'. That's my philosophy. If I'm in a situation, it has to feel like me."
He upheld that even when offered a deal with Young Money Entertainment in 2012. Gates respectfully (and famously) passed, having been inspired by Cash Money Records co-founder Birdman's own story of "taking twenty years" to build a brand. He took it to heart and wholeheartedly pursued his own path. 2013 saw him make waves a few times with The Luca Brasi Story, which Rolling Stone dubbed "One of the 20 Best Hip Hop Albums of 2013", and an incendiary feature on Pusha T's "Trust You". That year, Stranger Than Fiction put Gates on the map once again, boasting cameos by Wiz Khalifa and Juicy J and garnering unanimous praise from Pitchfork, The Fader, Complex, and Spin.
However, 2014's By Any Means raised the bar even higher for Gates. Unflinchingly real, he delivers razor sharp verses with intricate wordplay as well as hard, yet hypnotic hooks. Once again, he attracted everybody from Plies ["Keep Fucking With Me"] and Rico Love ["Go Hard"] to 2 Chainz ["Bet I'm On It"] and the late, legendary Doe B ["Amnesia"] to the studio. About the latter, he goes on, "When I met Doe B, we had instant chemistry. It's like I had known him my whole life. It was immediate and so real".
Meanwhile, "Arm & Hammer" swings from ominous production into rough rhymes before colliding on an anthemic and gruff verse. Simultaneously, "Don't Know" showcases his penchant for a powerful and passionate melody. "People can get different things from it," he explains. "It's like a movie. You can picture it and get your own story. When I listen to music, it captures a moment. I hope it's that way for everybody else." By Any Means also solidified him as a 21st century heavyweight. Upon release, it nearly doubled the first-week sales of Stranger Than Fiction, landing at #17 on the Billboard Top 200 and #3 on the Current Rap Albums Overall Chart. With his partnership between Bread Winners Association and Atlantic Records in place, Gates sees even bigger things in store.
"This alliance between us is great," he continues. "Atlantic allows me to embrace new challenges like stepping outside of myself and out of my comfort zone. That's encouraged me to be a better songwriter and artist. Having my own label, I wanted to learn how to successfully run a label. Why not learn from one of the most successful in the game?" Ultimately though, it always remains about the same thing for Gates—the music. He leaves off, "It feels good when people appreciate my art in its entirety. That makes me feel great. I want everyone to experience this in its entirety. Other than that, I don't have any complaints. As long as I can record, I'm okay. That's all that matters."
In 2004, he entered a local studio for the very first time and started professionally recording. Three years later, he dropped his breakout debut mixtape, Pick Of Da Litter. As he passed out thousands of CDs around the area, his buzz started to spread like wildfire and he began playing multiple shows per week. Shortly after, he unleashed the 2008 hit "Get in the Way" featuring Lil Boosie, developing a devout national following in the process. However, in the aftermath of the track's success, Gates faced incarceration until 2011. "When I got out, my fan base had strangely grown," he admits. "It was so crazy to me. Once I came home, I knew that I had to just focus on the music. I practically never left the studio after that. It was all about recording and making more songs." Gates also took the opportunity to found his very own record label, Bread Winners Association, in 2011. As a banner for his movement, the company touts an important ethos for the artist that courses through all of his output.
It adds a touch of playfulness or whimsy to a situation, without suggesting any serious mental health concerns..
Reviews for "The Alchemy of Spells: Unraveling Crazy Spell Roland"
1. John - 2/5 - I found "Crazy spell roland" to be very disappointing. The plot was confusing and hard to follow, and the characters felt underdeveloped. The writing style also didn't resonate with me, as it seemed overly flowery and exaggerated. It took a lot of effort to finish the book, and even then, I didn't feel satisfied with the ending. I wouldn't recommend this to anyone looking for a captivating and well-written story.
2. Sarah - 1/5 - "Crazy spell roland" is one of the worst books I've ever read. The entire story felt like it was thrown together haphazardly without any clear direction. The pacing was off, with slow and drawn-out sections followed by rushed and confusing sections. The characters lacked depth and were difficult to connect with. Overall, I found the reading experience to be incredibly frustrating and unenjoyable. I regret spending my time and money on this book.
3. Emma - 2/5 - I had high hopes for "Crazy spell roland", but unfortunately, it fell short of my expectations. The concept had a lot of potential, but the execution was lacking. The storyline was fragmented, jumping between different perspectives and time periods without clear transitions. This made it incredibly confusing to follow. Additionally, the writing style was overly descriptive and verbose, making it difficult to stay engaged. I was disappointed by the lack of cohesion in this novel.
4. Mark - 2/5 - I struggled to get through "Crazy spell roland". The writing was unnecessarily complex and convoluted, with excessive use of metaphors and confusing language. It felt like the author was trying too hard to be poetic, at the expense of clarity and readability. The characters were also uninteresting and lacked depth, making it hard to care about their fates. Ultimately, I found this book frustrating and not worth the time investment.