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The Magic Lantern Theater Spolane is a unique and captivating form of entertainment that has been enjoyed for centuries. It originated in the 17th century and quickly gained popularity throughout Europe. The magic lantern itself was an early form of image projection device, using a light source and a series of hand-painted glass slides to create moving images on a screen. In its early days, the magic lantern was used primarily for educational and scientific purposes. It was often employed to illustrate lectures or to display images of natural phenomena that were difficult to witness firsthand. However, it didn't take long for this technology to be adapted for entertainment purposes.



Joann Fabric, I'm breaking up with you. An open letter to the craft store giant.

However, it didn't take long for this technology to be adapted for entertainment purposes. The Magic Lantern Theater Spolane took the basic concept of the magic lantern and transformed it into a full-fledged theatrical experience. Performers would use the magic lantern to create elaborate and visually stunning shows that captivated audiences of all ages.

Joann's Fabric and Craft Store, I'm Breaking Up With You!

Dear Joann's Craft Store, I am breaking up with you.
I just don't have time for you anymore.


Your lines are too long, your service is sub par, your return policy sucks and just stepping into your store is one of the biggest time sucks of my day.

all I wanted was some Styrofoam balls for 40% off. Is that too much to ask.

What is it with the Joann Fabrics Coupons?

You try to lure me in with 40% off regularly priced coupons that never seem to work on any of the supplies I come in for. You skillfully mark down anything I would ever want to a measly 25% off just so I can't use my coupon.
I attempted to avoid the lines at the store and order online only to find that the item I ordered, that just didn't work for the project I was making, isn't returnable in the store.
According to the delightfully unhelpful customer service lady at the counter of my local Joann's, it's because online and in-store are two totally different stores and therefore have different policies.
What the heck.
So now I'm stuck with clock mechanics to make a clock that won't fit on the vintage film canister or the old bike tire. Both cool projects that didn't work and now the supplies I can't use just taunt my inability to create.


Your selection of low price fabric makes it hard to shop elsewhere, though once you started your DMV like take a number cutting counter, the lines are unbearable.
People take a number and then do their shopping. but when you have to be called back to the cutting counter over the loudspeaker, the people waiting for you to traipse back after your skillfully planned shopping jaunt are none too pleased.
The choice then is to stand and wait.
Lingering around the cutting table like you are waiting for some rock stars autograph listening to the thump thump of the fabric bolts being rolled out and inevitably being stuck behind some quilter getting 24 different 1/8 of a yard cuts of fabric.
I try to be patient, but it's hard to keep from being annoyed at the long lines at the cutting counter making me probably less than pleasant when I finally get my number called to have my fabric cut.
Which is why the employees who are cutting my fabric are anything but enjoyable to work with.
Speaking of the employees, I find them less than helpful. After a store remodel last year, I could not for the life of me find the mod podge.
It's not often that I don't know what I am looking for, so on the few times that I ask, I expect for the people who get paid to work there to actually be helpful.
After wandering up and down the store aisles, I finally found a person who actually worked at the store. I asked her where I would find the mod podge and you know what she did?
She pointed.
I decided to venture in the direction of her point and once again turned up unsuccessful. So I attempted once again to find another store employee that could possibly help me.
As I write this, I realized I really wanted that mod podge somethin' fierce!
Once again, the employee pointed me in the right direction. I had to ask her to physically show me. True story.
And while I was finally successful in locating my mod podge, I found that it was marked down to 15% off so I couldn't use my 40% off coupon and we all know that shopping at Joann's and not using a 40% off coupon is the closest thing to dancing with the devil that I can think of.


Typically, after getting my fabric cut, I bolt off and do my best to jump into the cash register line only to find that it's been snaked through a maze of cheap merchandise in tall racks.
Two lines are open with 12 people in line in front of me.
If I kept my cool in the cutting line, I no longer have it while in the register line.
Why must a "quick" trip in take no less than an hour?
As my friend Mandi likes to say, any line that long better end in a Disneyland ride.
I've tried shopping you at various times throughout the day in hopes that I will find that sweet spot. The possibility of walking in, getting my fabric cut and walking back out in a timely manner has been like an elusive creature I've been trying to capture for the past six months.
Because your clientele of crafters is mostly upper middle age women with nothing but time on their hands, there is no secret hour that I have found to shop.
Your shoppers come out of the woodwork at all hours.
They are waiting when the doors open, they are clogging the lines on their lunch breaks, and they are shopping after work or to fill their evenings.
I've come to one conclusion,
Joann's, you are the store that I love to hate.
And because I'm tired of being a hater, I'm breaking up with you.
I will hardly know what I will do with all the time I will be saving while shopping at those other craft stores.
Thankfully, I have many at my disposal, but for those who don't, please take a moment and read this letter with an open mind for change.
Adios old friend,

Why Witchcraft Is on the Rise

Americans’ interest in spell-casting tends to wax as instability rises and trust in establishment ideas plummets.

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J uliet Diaz said she was having trouble not listening to my thoughts. “Sorry, I kind of read into your head a little bit,” she told me when, for the third time that August afternoon, she answered one of my (admittedly not unpredictable) questions about her witchcraft seconds before I’d had a chance to ask it. She was drinking a homemade “grounding” tea in her apartment in a converted Victorian home in Jersey City, New Jersey, under a dream catcher and within sight of what appeared to be a human skull. We were surrounded by nearly 400 houseplants, the earthy smell of incense, and, according to Diaz, several of my ancestral spirit guides, who had followed me in. “You actually have a nun,” Diaz informed me. “I don’t know where she comes from, and I’m not going to ask her.”

Diaz describes herself as a seer capable of reading auras and connecting with “the other side”; a plant whisperer who can communicate with her succulents; and one in a long line of healers in her family, which traces its roots to Cuba and the indigenous Taíno people, who settled in parts of the Caribbean. She is also a professional witch: Diaz sells anointing oils and “intention infused” body products in her online store, instructs more than 8,900 witches enrolled in her online school, and leads witchy workshops that promise to leave attendees “feeling magical af!” In 2018, Diaz, the author of the best-selling book Witchery: Embrace the Witch Within, earned more than half a million dollars from her magic work and was named Best Witch—yes, there are rankings—by Spirit Guides Magazine.

Now 38 years old, Diaz remembers that when she was growing up, her family’s spellwork felt taboo. But over the past few years, witchcraft, long viewed with suspicion and even hostility, has transmuted into a mainstream phenomenon. The coven is the new squad: There are sea witches, city witches, cottage witches, kitchen witches, and influencer witches, who share recipes for moon water or dreamy photos of altars bathed in candlelight. There are witches living in Winnipeg and Indiana, San Francisco and Dubai; hosting moon rituals in Manhattan’s public parks and selling $11.99 hangover cures that “adjust the vibration of alcohol so that it doesn’t add extra density and energetic ‘weight’ to your aura.” A 2014 Pew Research Center report suggested that the United States’ adult population of pagans and Wiccans was about 730,000—on par with the number of Unitarians. But Wicca represents just one among many approaches to witchery, and not all witches consider themselves pagan or Wiccan. These days, Diaz told me, “everyone calls themselves witches.”

What exactly they mean by that can vary from witch to witch. According to the anthropologist Rodney Needham’s 1978 book, Primordial Characters, scholars’ working definition of a witch was, at that time, “someone who causes harm to others by mystical means.” To Diaz, a witch is “an embodiment of her truth in all its power”; among other magic practitioners, witch might embody a religious affiliation, political act, wellness regimen, “hot new lewk,” or some combination of the above. “I’m doing magic when I march in the streets for causes I believe in,” Pam Grossman, a witch and an author, wrote in a New York Times op-ed.

Casting spells and assembling altars have become quite lucrative. You can attend a fall-equinox ritual organized by Airbnb, sign up for subscription witch boxes offering the equivalent of Blue Apron for magic-making, and buy aura cleanses on Etsy. Instagram’s reigning witch influencer, Bri Luna, has more than 450,000 followers and has collaborated with Coach, Refinery29, and Smashbox, for which she recently introduced a line of cosmetics “inspired by the transformative quality of crystals.”

Many professional witches, including Diaz, can also be hired to do magic on your behalf. Diaz’s most popular offering is her Ancestral Candle Service, a $45 ritual for manifesting intentions that I’d come to her apartment to try. (“Last month we had 4 pregnancies, 33 job promotions, 12 business startups, 12 wedding proposals! and 4 court wins,” claimed a promotional email.) Diaz—who grew up on food stamps, was homeless for parts of college, and, as an adult, sometimes skipped lunch to save up for rent—said she has “manifested an entirely new life” from her candle work. Features of that new life include her book deal, its best-seller status, her store, and a stronger relationship with her husband. She performs up to 100 candle services each month, and said she usually sells out within a day.

Good luck tracing the history of witches. While the idea of witches is exceptionally old—Horace’s Satires, already embracing the negative stereotype circa 35 b.c. , describes witches with wigs and false teeth howling over dead animals—the day-to-day business of being a witch has continuously evolved, which complicates attempts to reconstruct a tidy family tree. The history of witchcraft has also long suffered from unreliable narrators. The Salem witch trials loom outsize in the American imagination, yet no official court records exist, and the accounts of the trials that did survive are, per the historian Stacy Schiff, “maddeningly inconsistent.”

More recent historians haven’t fared much better: The Wicca faith grew out of the writings of Gerald Gardner, a former customs officer whose 1954 book, Witchcraft Today, recounted his experience in a coven whose tenets were allegedly passed down from the Middle Ages. But scholars later concluded that they were at least in part Gardner’s invention.

And then, no culture can claim a monopoly on witches. “There is little doubt that in every inhabited continent of the world, the majority of recorded human societies have believed in, and feared, an ability by some individuals to cause misfortune and injury to others by non-physical and uncanny (‘magical’) means,” writes the historian Ronald Hutton, who has studied attitudes toward witches in more than 300 communities, in places such as sub-Saharan Africa and Greenland. The belief in witchcraft is so widespread and so enduring that one historian speculates it’s innate to being human.

In the U.S., mainstream interest in witches has occasionally waned but mostly waxed, usually in tandem with the rise of feminism and the plummeting of trust in establishment ideas. In the 19th century, as transcendentalism and the women’s-suffrage movement took hold, witches enjoyed the beginnings of a rebranding—from wicked devil-worshippers to intuitive wisewomen. Woodstock and second-wave feminism were a boon for witches, whose popularity spiked again following the Anita Hill hearings in the ’90s, and again after Donald Trump’s election and alongside the #MeToo movement.

“Whenever there are events that really shake the foundations of society, people absolutely turn towards the occult.”

The latest witch renaissance coincides with a growing fascination with astrology, crystals, and tarot, which, like magic, practitioners consider ways to tap into unseen, unconventional sources of power—and which can be especially appealing for people who feel disenfranchised or who have grown weary of trying to enact change by working within the system. (Modern witchcraft has drawn more women than men, as well as many people of color and queer or transgender individuals; a “witch” can be any gender.) “The more frustrated people get, they do often turn to witchcraft, because they’re like, ‘Well, the usual channels are just not working, so let’s see what else is out there,’ ” Grossman told me. “Whenever there are events that really shake the foundations of society”—the American Civil War, turmoil in prerevolutionary Russia, the rise of Weimar Germany, England’s postwar reconstruction—“people absolutely turn towards the occult.” Trump must contend not only with the #Resistance but with the #MagicResistance, which shares guides to hexing corporations, spells to protect reproductive rights, and opportunities to join the 4,900 members of the #BindTrump Facebook group in casting spells to curb the president’s power.

Throughout history, attempts to control women have masqueraded as crackdowns on witchcraft, and for some people, simply self-identifying as a witch—a symbol of strong female power, especially in the face of the violent, misogynistic backlash that can greet it—is a form of activism. “Witchcraft is feminism, it’s inherently political,” Gabriela Herstik, a witch and an author, told Sabat magazine. “It’s always been about the outsider, about the woman who doesn’t do what the church or patriarchy wants.”

Diaz’s own history of witchcraft long predates the 2016 election. She said that she had her first vision at age 5, was taught by her mother to make potions to cure her nightmares in elementary school, and quietly used her gifts as a seer while working in crime-scene forensics after college. Ten years ago, following what she says was guidance from her ancestors’ spirits, she quit her job, divorced her first husband, and threw herself full-time into working as a witch.

Diaz, a self-described “plant witch,” draws extensively on Taíno traditions and herbs, jars of which occupy almost an entire room of her apartment. But the fact that there are no set criteria for being a witch is, for many, precisely the appeal. Witchcraft beckons with the promise of a spirituality that is self-determined, antipatriarchal, and flexible enough to incorporate varied cultural traditions.

Which is not to say anything goes. Although Diaz has emerged as a leading voice for an inclusive, no-wrong-answers form of witchery, she and others prickle at the creeping tendency to claim the witch label without actually practicing magic. “A lot of girls, young girls, they post pictures of their house with their room with upside-down crosses, Goth clothes, with their potions. They don’t even practice witchcraft, and they’re like, ‘Oh, I’m a witch,’ ” Diaz told me. “It takes away from the sacredness of the word.” Diaz also says she’s troubled by what she sees as the commodification of witchcraft—though, of course, she’s benefited from its commercial appeal—and the cultural appropriation that’s come with it, such as white witches borrowing from indigenous or African-diasporic traditions. Palo Santo, a wood that is traditionally burned by shamans and is now a staple of yoga studios everywhere, can be purchased from Urban Outfitters, Bloomingdale’s, Madewell, Anthropologie, the Whitney Museum of American Art, Crate and Barrel’s CB2, and, once it’s back in stock there, Goop. (In her own store, Diaz aims to source from indigenous people and sell only products she develops herself.)

Despite all this, calling oneself a witch can still be risky. Grossman told me she’s received letters from numerous people who fear that if they openly embraced magic, they “would be either fired from their jobs, or have their kids taken away, or be kicked out of their families.” The stakes are even higher in other parts of the world, where, per a 2009 United Nations report, being labeled a witch remains “tantamount to receiving a death sentence.” Amid a rise in witchcraft-related abuse—including the case of an 8-year-old who was tortured to death in 2000—London established a police team dedicated to reducing violence targeting accused witches; by contrast, officials in Saudi Arabia established an antiwitchery unit that trains police to “scientifically battle witchcraft,” which is punishable by beheading.

On a brocaded ottoman beside her couch, Diaz set out a tray containing the ingredients necessary for her candle ritual, which included a vial of straw-thin mouse bones (“for speed”), a snake carcass suspended in milky liquid (“for protection”), and frankincense oil (for “opening up a portal for the candle and sending a message into the roots of the wax”). She lit a stick of Palo Santo wood and wafted its smoke over each item, carefully encircling a tall candle that she said she would “fix” with my intention, then burn later in the sacred area she maintains in her basement.

Diaz told me my intention should be specific, one I hadn’t already made in the past 30 days, and couldn’t be to make someone fall in love with me. I settled on a classic intention: money. Specifically, I was hoping to get paid for an outstanding invoice and get a friend to return money I’d lent her a year before.

The Most Enchanting Modern Witch Boutique in Panama City, Florida

In the heart of Historic Downtown Panama City, Florida, you’ll find Baywitch, a local modern witch boutique. Borne from the friendship of two witchy women and their love for all things magical and wondrous, Baywitch is a charming space for modern witches to gather, conjure, and flow together.

Collins camping

These shows ranged from simple stories with moral lessons to more complex narratives and fantastical tales. One of the key features of the Magic Lantern Theater Spolane was the use of music and sound effects to accompany the projected images. Musical instruments such as organs or flutes would be played live to create an immersive and emotionally charged atmosphere. This added dimension of sound greatly enhanced the overall experience for the audience. The performances themselves were often a combination of projected images, live actors, and various props. The magic lantern would be used to create magical transformations, move characters across the screen, and even create the illusion of depth. The actors would interact with the projected images and the audience, creating a dynamic and interactive performance. The Magic Lantern Theater Spolane continued to evolve and adapt over the years, incorporating new technologies and techniques. It remained popular well into the 19th century before eventually being superseded by more advanced forms of entertainment, such as movies and theater. However, it left a lasting impact on the world of visual storytelling and continues to be remembered as a groundbreaking form of entertainment. In conclusion, the Magic Lantern Theater Spolane was a fascinating and captivating form of entertainment that combined the magic of projection technology with live performances. It provided audiences with a unique and immersive experience, bringing stories and images to life in a way that had never been seen before. Although it has faded into obscurity in modern times, its influence can still be felt in the world of visual arts and storytelling..

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collins camping

collins camping

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