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This question is just one of the many topics Automotive News covered during their Roundtable Q A, gathering valuable insights from Mike Black, the CEO of Dent Wizard. The news release announces In partnership with the Indianapolis Hebrew Congregation, Indianapolis Opera presents an engaging early evening concert of art song and classical music with acclaimed artists, Soprano Anne Fuchs, Mezzo-soprano Lyndsay Moy and Baritone Daniel Narducci.
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Indianapolis Opera conjures comedy & solemnity
Two centuries before cell phones began enticing us into active engagement with the forces of light and dark, Amadeus Mozart composed “The Magic Flute” based on the libretto by Emanuel Schinkaneder. Action-packed from the instant the lights snap on with the closing strains of the Overture, we’re zoomed into an exotic location where a mixed bag of characters fills The Toby Stage.
A man is battling a huge serpent. Wham! He’s knocked unconscious. Three serpent slayers appear—ladies in beguiling attire who sing to their own praise before taking a look at the fallen figure. They’re impressed by his looks, if not by his lack of gallantry. Reluctantly, they leave him to report the escapade to The Queen of the Night. In their wake arrives a birdman, as replete in feathers as is the fallen would-be hero in his high-rank attire. And so it begins—nature and civilization, pomposity and humility, good and evil.
Representing every aspect of overcoming adversity, gaining everlasting love, and living a life of service versus greed has been with us since the beginning of our existence as humans into a world that we are still exploring and in which we are always trying to gain the upper hand, be it for community or self-serving.
Snail Games USA’s gameplay is the latest foray to hit my mailbox since Star Wars invaded my psyche. “The Magic Flute” precedes and informs them all. And, in truth, nothing new even comes close to what we can learn about ourselves through what evolves through the story of what it means to live a life of value, virtue, and valor. Onstage everything evolves from and through multiples of threes. I admit to watching the audience and keeping apace with events on stage. The young people in the seats were in rapt attention. They were applauding Good and stern in posture when Evil was taking center stage.
Though the declared setting is continents from Europe, the meaning of “The Magic Flute” is anchored in Austria, and by extension, in France, in the midst of the tumultuous French Revolution of 1791, spurred by Royal suppression of the ‘rights of men [and women].’ Freemasonry, a desire for knowledge in the greater service of both the natural and civilized spheres, is at the forefront. The opera’s characters are glyphs of the people in people and the people suppressed by power. The cast of fifteen named characters, a clutch of chorus members and unnamed characters on stage, an unseen live orchestra, and the support staff backstage create a magnificent spectacle.
Indianapolis Opera concludes its 48th season with a worldwide cast of multicultural artists under the artistic leadership of Director A. Scott Parry and Maestro Scott Schoonover. David Blalock and Rebecca Krynski Cox sing lovers Tamino and Lamina.
If You Go
Indianapolis Opera, “The Magic Flute”
at The Toby Theater at Newfields
4000 North Michigan Road, IN 46208
May 5 & 6 at 7:30 p.m.
May 7 at 3:30 p.m.
family-friendly and for people of all ages
Tickets are online at indyopera.org;
& by phone at 317-283-3531.
For disability access, call 317-283-3531
In their Indianapolis Opera debuts, the famous role of the Queen of the Night is portrayed by South Korean Soprano Hein Jung, and Ghanaian-American Bass Kofi Hayford brings forward Sarastro.
In his American debut, Baritone Jason Cox is the lovable Papageno, alongside Indianapolis-native Rachel Purvis as Papagena.
The Queen of the Night’s three ladies rises up with Soprano Anne Fuchs, Jamaican-American Soprano Victoria Korovljev, and Mezzo-soprano Katherine Kincaid.
Tenor Will Upham appears as the henchman Monostatos, Baritone Dalton Woody sings the role of the Priest, and Tenor Nathanael Hein takes on the role of the Speaker.
The Three Spirits expertly guiding Tamino, Tamina, and Papageno through their trials are newcomers Soprano Adrian Daeger, Soprano Brianna Murray, and Mezzo-Soprano Marielle Hug.
At the close of the two-act combo of seriousness and comedy, we applauded them and the artistic team:
Guest Director - A. Scott Parry
Guest Conductor - Scott Schoonover
Assistant Director - Dr. Jessica Burton
Guest Chorus Director - Dr. Cara Chowning
Rehearsal Pianist - Dr. Migeun Chung
Assistant Conductor - Tamara S. Dworetz
“And why a magic flute?” posits the email from Indianapolis Opera and answers itself; “A common Masonic theme is that music has the power to transcend human fear and hatred. So, the moral of the story is that through the Masonic Order and guided by the beauty of music, society is enlightened… men and women equally.”
Next with IO
June 4, 2023, at 4:00 p.m., Into Eternity: A Concert of Art Song, at Indianapolis Hebrew Congregation, at 6501 North Meridian Street, 46260;
free & open to the public
Indianapolis Opera presents a historic world premiere.
from Jewish-American composer Lori Laitman
The news release announces: “In partnership with the Indianapolis Hebrew Congregation, Indianapolis Opera presents an engaging early evening concert of art song and classical music with acclaimed artists, Soprano Anne Fuchs, Mezzo-soprano Lyndsay Moy and Baritone Daniel Narducci. This special event includes the world premiere of “Into Eternity” from Jewish-American female composer Lori Laitman, which features the final written words of Holocaust victim Vilma Grunwald, mother of local survivor Frank Grunwald, who will be in attendance to speak about this incredible work.
Lori Laitman met Frank Grunwald in March of 2022 during the Indianapolis Opera’s double.
bill presentation of Hans Krasa’s “Brundibar” and Laitman’s Holocaust-themed oratorio “Vedem,” where she heard his story and learned about his mother’s extraordinary letter. At 11 years old, after being transported to Auschwitz with his family, Frank and his brother John, along with hundreds of other children, were selected to be killed in gas chambers, but a German in charge of the Jewish.
Family Camp saved Frank’s life by moving him into another group.
John, however, who suffered with a limp, remained with the children selected for death. Their mother, Vilma, opted to accompany John, so he would not have to face death alone. She penned a beautiful letter of comfort to Frank’s father, Kurt, on July 11, 1944, while waiting for the trucks to take them to the crematorium, and it is Frank’s English translation that Laitman set to music. In her letter, Vilma
writes that she is completely calm, asking Kurt not to blame himself for their fate, to press on, and to take care of Frank.
The concert will also include selections from American Art Song repertoire,
featuring composers like Indiana-born Ned Rorem, and Jewish-Americans
Leonard Bernstein and Kurt Weill.
Cover image by Denis Ryan Kelly Jr.
Final bow: Marielle Hug, Brianna Murray, Adrian Daeger, Will Upham, Kofi Hayford, Hein Jung, David Blalock, Rebecca Krynski Cox, Jason Cox, Anne Fuchs, Victoria Korovljev, Katherine Kincaid, Dalton Woody, Rachel Purvis, Nathanael Hein
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