charlie shwen

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Roots is a magical book that takes its readers on a journey through history and ancestry. Written by Alex Haley, this novel tells the story of Kunta Kinte, a young African man captured and sold into slavery. The book explores the themes of identity, heritage, and the search for belonging. Kunta Kinte, the central character, represents the struggles and resilience of enslaved African Americans, as well as their yearning to reconnect with their African roots. Roots is not just a story about slavery; it is a powerful testament to the strength of the human spirit and the importance of understanding one's own history. The book emphasizes the significance of knowing where we come from and the impact it can have on our present lives.


As you enter Old Town Hall to experience Cry Innocent, the year is 1692. You’ve just learned that Bridget Bishop, one of your Puritan neighbors who lived only a couple of blocks from where you are seated, has been accused of practicing witchcraft and you will be serving on her jury. In a stirring performance by talented local actors, you’ll be able to hear evidence from witnesses as to why Bishop was accused, ask your own questions and ultimately determine the outcome.

A totally unique way to immerse yourself in the history of the Salem Witch Trials, Cry Innocent is a popular Haunted Happenings attraction that often sells out. Seating is limited this October to create adequate room for spacing, so if you already know Cry Innocent is on your list for this October, we recommend purchasing your tickets here in advance.

Theatrical performance of the Salem witch trials

The book emphasizes the significance of knowing where we come from and the impact it can have on our present lives. Through colorful storytelling and meticulous historical research, Haley takes readers on a vivid journey back in time, immersing them in the customs, traditions, and hardships of Kunta Kinte's world. The gripping narrative serves as a reminder of the atrocities committed during the transatlantic slave trade and prompts readers to reflect on the legacy of slavery in America.

Harding Theatre performs ‘The Crucible’

Harding Theatre took the stage Thursday night for the first performance of their production of “The Crucible.” There will be three more performances, tonight and tomorrow night, both at 7 p.m., and a matinee Monday, Feb. 27, at 11 a.m.

Arthur Miller’s classic play is a dramatized, partially fictionalized story of the 1692 Salem witch trials, when more than 200 people in Salem, Massachusetts, were accused of practicing witchcraft.

Senior Josie Holman said Miller’s retelling of the Salem witch trials interweaves lessons and warnings about the effects of fear on society.

“This is a show about what happens when fear runs people, when it runs a society and what happens when that fear is allowed to take over instead of the leadership that’s in place — when leadership fails to control the fear narrative,” Holman said.

Sophomore TJ Brown added that the heavy themes dealt with in this show set it apart from other Harding productions.

“It’s a bit more gritty,” Brown said. “It’s hard. It’s going to be an immersive experience.”

Brown plays the role of the protagonist, John Proctor.

“John Proctor is at this point in the show, first and foremost, guilty,” Brown said. “He’s filled with shame for something that he’s done in the past that you’ll learn about if you come see the show. He’s guilty, he’s angry, he’s confused throughout most of the show.”

Holman plays the role of John Proctor’s faithful wife, Elizabeth.

“She has been hurt very deeply by [John] very recently and is trying to learn how to recover their marriage,” Holman said. “But Elizabeth herself is a very hard, sharp woman, and it does not come naturally for her.”

Director Britton Lynn said the themes of Miller’s 1953 play are relevant to society today.

“The English teachers in this country will tell you that Miller wrote this play because it was a commentary on the fear of McCarthyism in the early 1950s,” Lynn said. “But when you read it and look at it with a contemporary eye, it’s not about any kind of specific political movement or anything. It’s actually about how if we allow fear to drive our actions, fear is incredibly destructive and divisive.”

Lynn said one of the main goals of taking this story and the real events it was based upon to the stage was to capture the genuine fear people felt at the time.

“Back in the Salem witch trials, they were deathly afraid of the supernatural, deathly afraid of the environment outside of their civilized world, because it was still very new, very raw, very dangerous,” Lynn said.

“Trying to capture that fear with this production and then talk about how it influences us was the goal that we had for the show.”

Lynn said audiences should take their seats around the thrust stage in the Ulrey Performing Arts Center this weekend ready to think deeply.

“It’s not a happy show,” Lynn said. “It’s a gritty show. It’s an angry show. It’s a preachy show. “So come ready to think; come ready to be challenged.”

“It’s a bit more gritty,” Brown said. “It’s hard. It’s going to be an immersive experience.”
Charlie shwen

Roots is not only a work of fiction but also an educational tool that sheds light on a dark chapter in history. It serves as a reminder that no matter our background, we all have roots worth exploring and understanding. Furthermore, Roots has had a profound impact on popular culture and American society. The book was adapted into a groundbreaking television miniseries in 1977, sparking widespread interest and discussion about the African American experience. This adaptation reached a massive audience and played a significant role in bringing the stories of enslaved African Americans to the forefront of national consciousness. In conclusion, Roots is a transformative and influential book that immerses readers in the journey of one man's search for identity and belonging. Through its powerful storytelling, it highlights the importance of recognizing and understanding our roots..

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charlie shwen

charlie shwen

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