Add-on Magic Magic has always fascinated humans, and throughout history, people have sought various ways to enhance and push the boundaries of this mystical practice. One such way is through the use of add-ons. Add-on magic refers to the concept of incorporating additional tools, objects, or systems into magical practices to elevate the effects and outcomes of spells, rituals, or illusions. These add-ons can range from simple objects such as crystals or talismans to more complex devices or technologies. The main idea behind add-on magic is to harness the power of these supplementary elements and combine them with traditional magical practices to amplify the results. This can be seen in the use of certain herbs, oils, or incenses that are believed to possess specific energies or properties, which are then utilized in spellcasting to strengthen the desired effect.
Pratt and Beaton explain the Blue Magic strategy: "A lot of groups have been around making records for five or six years and they expect to be rich, but they aren't and they finally ask themselves 'What happened?'. They just weren't doing their 'at home' business.
Pratt and Beaton explain the Blue Magic strategy A lot of groups have been around making records for five or six years and they expect to be rich, but they aren t and they finally ask themselves What happened. Above and beyond the group s obvious singing and performing excellence see our review in this issue , the main factor behind Blue Magic s rapid success has to be the modern production collective of which they are the major part.
This can be seen in the use of certain herbs, oils, or incenses that are believed to possess specific energies or properties, which are then utilized in spellcasting to strengthen the desired effect. Similarly, the use of specific tools or objects, such as wands or cauldrons, is a form of add-on magic. These items are believed to aid in focusing and directing energy, making rituals more potent and effective.
Blue Magic: The Magic—and Dues—of The Blue
"Hey, we didn't know anything at all about Ann Arbor--we just happened to stop there to get something to eat," explains Richard Pratt, a member of the popular Blue Magic singing group. "We had sung in Muskegon, Michigan, the night before, and we were driving to our next engagement in Erie, Pa., when we ran into the Ann Arbor police."
Pratt and his colleague, Keith Beaton, vocalist and choreographer for Blue Magic, are recalling their painful experience with officers from the Washtenaw County Sheriff's Dept. and the Ann Arbor Police Dept. on the night of May 10, 1975, outside the Howard Johnson's restaurant at US-23 and Carpenter Rd. We're sitting in Blue Magic's suite in the plush Pontchartrain Hotel across the street from Cobo Hall, where the hot Philadelphia quintet will join the O'Jays and the Commodores for a packed-to-the-rafters show in an hour or so, and the words of the gentle, self-contained young musicians before us provide a frightening contrast to the comfort in which we sit:
"The police didn't tell us anything about why they were stopping us," Beaton says. "They just started hollering at us to get out of the car. As soon as I got out and stood up, they kicked my legs out from under me and kicked me in the back as I was going down.
"It was like a construction site where they pulled us over--all muddy, you know? They made all six of us, the entire group and our driver, lie face down in the mud for three hours while they pulled our car apart and dumped everything in it on the ground. "There was a bull-dozer next to where a couple of us were forced to lie down, and the scoop of the thing was right next to our heads. All the time the cops had shotguns and Magnum pistols pointed up against our necks, like daring us to retaliate so they could shoot all of us. They'd say things like, 'I ought to start this bull-dozer and scoop both of you niggers into the ditch!' "
The incident began when a waitress at Howard Johnson's hallucinated a "long gun" into the hands of one of the members of the Blue Magic touring company, a group which included the five singers, their driver, their backup band ("The Magic of the Blue"), their equipment and equipment handlers. The waitress called the Sheriff's Department, headquartered two blocks away, and the young black men were just pulling out of the parking lot on their way to Pennsylvania while both County and City of Ann Arbor police cars swooped down on them and surrounded both of their vehicles.
"We don't carry any kind of guns," Beaton continued, "so they couldn't find any weapons of any kind, and they were plenty mad about it. One cop stood on our lead singer, Ted Mills', leg, and another one rubbed my face in the mud.
"They stripped our pants down while we were on the ground, and when the sun started coming up they made us all walk about two blocks to the Sheriff's headquarters with our pants down around our ankles.
"Inside the County Sheriff place they made us sit on the floor--they said, 'Don't dirty our bench.' But when they finally realized that we really were the Blue Magic, they started to change their tune. The handcuffs came off and it was, 'You gentlemen won't tell anyone about this little mistake, will you?'
"It was incredible. When we got to New York Atlantic Records got us a lawyer, and we filed suit against all the policemen we could identify as being involved. "We want people around the country to know that stuff like this still goes on in places that are supposed to be civilized. Maybe then police will be a little easier on the next person going through their town."
Blue Magic's civil suit is still pending in Federal District Court in Detroit, but the incident itself was enough for Ann Arbor Mayor Al Wheeler to order an investigation of the role of the city police in the affair, and Washtenaw County L Sheriff Fred Postill has already dismissed two officers who were named in the suit, William Tommelein and Randel Evans (as reported in The Sun, Volume 3, No. 12 and 16).
Happily, Blue Magic has suffered few such run-ins with the racist minions of lawn-order during their thousands of miles on the road since the group was formed three years ago, and their main preoccupation by far is their performing, recording, and producing activity as one of the freshest, fastest-rising new rhythm & blues groups in America.
Quite young by today's standards for big-name artists - all the members of Blue Magic are between 22 and 26 years old- the group already has three best-selling Atlantic albums to its credit, with a live album set for release soon and a new studio LP in the works in Philadelphia. Their initial entry, Blue Magic, went gold along with its big single, "Let the Sideshow Begin," and their two follow-ups (The Magic of the Blue and 13 Blue Magic Lane, a Halloween concept album) sustained the high musical level of the first LP. They've also recorded with the Rolling Stones, singing backup on the song "If You Wanna Be My Friend" at the request of Mick Jagger, one of Blue Magic's bigger fans.
Above and beyond the group's obvious singing and performing excellence (see our review in this issue), the main factor behind Blue Magic's rapid success has to be the modern production collective of which they are the major part. WMOT Productions (it stands for "We Men Of Talent") is made up of Blue Magic, their able manager Alan Rubens, and business associates Bruce Gable and Steve Bernstein. Besides handling Blue Magic's own production work, WMOT also manages, publicizes, and produces singers Damon Harris (formerly with the Temptations) and his new group Impact; Major Harris, former lead singer with the Delfonics; and Ms, Margie Joseph, also an Atlantic artist via WMOT Productions.
The individual members of Blue Magic are at the center of all this activity, and each of them has a primary responsibility for some aspect of the development of the group and the WMOT operation. Ted "The Wizard" Mills is lead singer and main songwriter, his material being published by WMOT's publishing arm, Mystic Dragon Music; Keith Beaton is the company's choreographer; Wendell Sawyer serves as vocal arranger; his brother Vernon Sawyer designs the outfit's clothes; and Richard Pratt doubles as the band's on-the-road accountant. Plus there is the group's hand-picked back-up band, The Magic of the Blue, which is currently planning its first WMOT Atlantic album for the near future.
Pratt and Beaton explain the Blue Magic strategy: "A lot of groups have been around making records for five or six years and they expect to be rich, but they aren't and they finally ask themselves 'What happened?'. They just weren't doing their 'at home' business.
"You can have all the talent in the world and it doesn't mean anything if you're stupid. I mean--if you're good on stage, that just means somebody is taking your money.
"We started WMOT so we could take our own money. We know the business because we handle it ourselves - because we own as much of it as possible ourselves. We were just lucky enough to be able to set it up that way from the beginning.
"None of us had any experience at this, really, before Blue Magic, except Ted and our manager. So when we started as a group, we weren't chased after. Hell, we'd been in Philly all our lives, and Gamble and Huff didn't even know who we were!
"Anyway, we were able to set things up so we had some control, and that made all the difference." Seeing that they've made it through their first three years (and their first and, hopefully, last bust) in rather fine shape, it's a safe bet that we'II be hearing good things from Blue Magic for some time to come. Look for their forthcoming album, Blue Magic Live at the Latin Casino.
In addition to providing long overdue recognition to one of the great 70s soul groups, the show also brought together the original members of Blue Magic for the first time in three decades, as evidenced by the picture on this page (originally posted by Ted "The Wizard" Mills on his Facebook page). The members are, from left to right: Wendell Sawyer, Richard Pratt, Ted Wizard Mills, Keith Beaton, Vernon Sawyer.
Some practitioners also use divination tools, such as tarot cards or pendulums, as add-ons to gain insight or guidance from the spiritual realm. More recently, add-on magic has extended into the realm of technology. With the advent of modern gadgets and devices, practitioners have found ways to incorporate them into their magical practices. For example, smartphone apps have been developed to assist with spellcasting, providing guided rituals, meditation tracks, or even virtual tarot readings. However, it is important to note that add-on magic should not be relied upon solely for achieving desired outcomes. The true power of magic lies within the individual and their connection to the energies of the universe. Add-ons should be used as tools to aid in this process but should never replace the inner power and intention of the practitioner. In conclusion, add-on magic is a fascinating concept that allows practitioners to enhance their magical practices by incorporating supplementary tools, objects, or technologies. Whether it is the use of crystals, divination tools, or smartphone apps, these add-ons can provide a boost to the energy and effectiveness of spells and rituals. Ultimately, though, it is the inner power and intention of the practitioner that truly determines the success of their magic..
Reviews for "Upgrade Your Wand with These Magical Add-Ons"
1. Rachel - 2 stars - I was really disappointed with "Add on Magic". The story lacked depth and the characters were one-dimensional. The plot seemed rushed and underdeveloped, leaving me feeling unsatisfied. Additionally, the writing style was bland and didn't engage me as a reader. Overall, I found the book to be lacking in substance and would not recommend it to others.
2. Mark - 3 stars - "Add on Magic" had an interesting concept, but it fell short in execution. The pacing was inconsistent, with some parts dragging on while others seemed rushed. The world-building also left much to be desired, as I found it difficult to fully immerse myself in the story. The dialogue felt forced and unnatural, making it hard to connect with the characters. There were some redeeming qualities, but ultimately, this book didn't live up to my expectations.
3. Sarah - 2 stars - I had high hopes for "Add on Magic", but unfortunately, it fell flat for me. The writing was mediocre, lacking the descriptive language and vivid imagery that would have brought the story to life. The characters were forgettable and their motivations seemed shallow. The plot was predictable and lacked originality, making the whole reading experience rather dull. Overall, I found "Add on Magic" to be a disappointing read and wouldn't recommend it to others.