The 12ft witch is a popular Halloween decoration sold at Home Depot. This eye-catching decoration stands at an impressive height of 12 feet, making it a standout addition to any Halloween display. The witch features a spooky and realistic design with detailed features such as a pointy hat, a crooked nose, and a sinister grin. It is made from durable materials, ensuring that it can withstand outdoor elements and last for years to come. The 12ft witch is easy to assemble and set up, allowing users to create a spooky and inviting atmosphere in their front yards or at Halloween parties. With its towering presence and eerie appearance, the 12ft witch is sure to impress and frighten trick-or-treaters and guests alike.

Podcast / Hello, from the Magic Tavern

Attention, people of Earth: The podcast described in this article is not real, but it can really be found at Hello, from the Magic Tavern .

Hello, from the Magic Tavern is a weekly podcast created by Jackbox Games employee Arnie Niekamp set in the magical world of Foon.

After falling through a dimensional portal behind a Burger King in Chicago, Arnie finds himself stuck in the world of Foon. Luckily he has his podcast equipment, and a faint wi-fi signal coming from the Burger King on the other side of the portal, so he decides to set up a podcast in the Vermillion Minotaur, the local tavern.

His co-hosts are Chunt, a shape-shifter currently in the form of a badger, played by Adal Rifai, and Usidore the Blue, a wizard, played by Matt Young. They are joined each week by a variety of special guests who live in Foon.

With its towering presence and eerie appearance, the 12ft witch is sure to impress and frighten trick-or-treaters and guests alike. It serves as a festive and festive way to enhance the Halloween spirit and embrace the spooky season. So, if you're looking to make a big statement this Halloween, the 12ft witch from Home Depot is the perfect choice.

Hello, from the Magic Tavern provides examples of:

• A-Cup Angst: Princess Trachea Aurelia Belaroth did not inherit her mother's world-renowned bust size, and is not happy about it.
• Affably Evil: Baron Ragoon seems like a really nice guy, but he's a follower of the Dark Lord. Arnie isn't fooled. "I'm from the Midwest. I know the difference between nice and polite."
• Affectionate Nickname: Sometimes they call Chunt "Chu Chu".
• The Ageless: Forever Girls (and the occasional Forever Boy) are special, magical people who've been blessed with eternal childhood due to their Incorruptible Pure Pureness.
• Another Dimension: Foon is located in a separate dimension from Earth. There have also been episodes set in the mirror universe, a cowboy universe, and a child-friendly universe, and the space bunker is in yet another universe.
• Aristocrats Are Evil: Many of the nobles who appear on the show are quite evil and ruthlessly devoted to acquiring power, particularly the Baron Ragoon and Princess Aurelia Belaroth.
• Artifact Title: The Vermillion Minotaur is destroyed in the season 2 finale and the main characters hit the road for the third season. Though they tend to find someplace for a drink for when they record their shows.
• As Himself: Arnie Niekamp plays Arnie Niekamp.
• Audience Participation: The characters will read emails and tweets from listeners.
• Bed Trick: Memory gremlins extract people's memories of their spouses in order to impersonate them.
• Born as an Adult: All wizards come into the world fully formed as adults.
• Born of Magic: Usidore the Blue came into the world fully formed as an adult. He was born of wind, fire, earth, and birds (and lightning and some frogs).
• Brick Joke: In the first few episodes, Arnie (and occasionally Chunt) begin saying Hoobastank as Usidore reaches the Hoogstandjes portion of his collection of names. Cut to Episode 14, with Glenn Miller and Spants breaking out into a Usidore-themed version of "The Reason" by Hoobastank.
• Catchphrase: Chunt tries to force these. Recurring examples include: "Mmm, Chunt please", "get wet", and "baby don't know."
• Chekhov's Gun: Usidore's secret names. Season 2 ends with a carfoon of Usidore bringing down Hogsface on the Dark Lord's minions by uttering one of his many secret names.
• Color-Coded Wizardry: Usidore the Blue, Spintax the Green, etc. Wizards are associated with a specific color which both refers to the color they wear, but also the type of magic they have mastery over. Blue wizards have mastery over light and shadow, Green wizards have mastery of truth and lies, etc.
• Cuckoo Nest: Episode 59 has Dr. Ward, a director of clinical psychology claiming that Arnie has been checked into his institute for the last year, and all of his time in Foon has been a hallucination.
• A Day in the Limelight: On two occasions, Arnie's broadcasts cuts off in the first few minutes, and the bulk of the episode follows the antics on the space station.
• Death of a Child: Played for laughs. Foon has a child death rate of about 80%.

• In episode 3, Chunt and Usidore compliment each other by discussing their willingness to sleep with each other.
• Invoked in-universe in episode 11: "The sexual tension between Arnie and Chunt can only be described as delicious."
• In the Mirror Universe, where an evil Arnie deliberately abandoned his wife and child, he and the evil Chunt are married.

• Lampshaded with an episode appearance of Chunt voice actor Adal Rifai, for whom punning is treated as a debilitating manic compulsion.

• In Season 2, it's revealed that The Mysterious Man and Craig are the remnants of an evil alien empire forced to work in the space bunker by an alternate universe version of Arnie, who doesn't want the podcasts of his alternate selves to outshine his own.

• Usidore's long introduction, and his ongoing quest to recruit adventurers to defeat the Dark Lord.
• Chunt voice actor Adal Rifai abruptly introducing characters that the rest of the cast hate and try to have killed off.
• Usidore giving people magic rocks that don't seem to do anything, and Arnie calling him out for it.
• Everyone constantly calling Arnie incorrect names.

• Usidore has convinced a few people to join his quest, but never reaches the tipping point of leaving Hogsface and getting started.
• Arnie and the others have extensive contact with Earth through email and Twitter for 3+ years now, but none of that has affected the "Arnie can't get in touch with his family and let them know he's okay" plot point.

• Later, Chunt gets three wishes from a genie. The last wish—which, again, could be used to send Arnie back home to his wife and child or to aid Usidore by defeating the Dark Lord—is used to get Arnie his socks back.

• A Wizard Did It: The Retcon to explain why robins were non-existent in an early episode, but came to be regular birds later on.
• Wizards Live Longer: Usidore is hundreds, if not thousands of years old.
• The Worm That Walks: Dripfang, the Dark Lord's chef inquisitor, was initially 1,000 snakes in a skin suit. Usidore killed a few, and then at his performance review, he was ordered to downsize to 500 snakes.

The boys of Hello From The Magic Tavern pick their favorite episodes

There are relatively few weekly podcasts that beg to be listened to in sequential order, especially after producing some 120 episodes, but Hello From The Magic Tavern is firmly in that exclusive club. Now in its third year running, Earwolf’s entirely improvised meta-contextual fantasy comedy earns a spot in that club not just for its high concept but the even more interesting central rule at the heart of it: that everything spoken on the show immediately becomes part of the its canon. In doing so, each successive episode continues to build the world of the show, often bearing fruit in surprising and hilarious ways down the line.

If you aren’t already familiar with Magic Tavern, here’s the basics: Chicago comedian and podcaster Arnie Niekamp one day falls through a transdimensional portal behind a Burger King, ending up in a Narnia-like realm of adventure called Foon. While trapped in the rift Niekamp sets up an interview show at the show’s titular tavern, The Vermillion Minotaur, chatting with all manner of magical creatures every week. Niekamp is joined each week by regular co-hosts Chunt, a pun-obsessed shapeshifter usually in the form of a badger (played by Adal Rifai) and Usidore, a shambolic and blustery old wizard (played by Matt Young).

Over the course of their run, the gang have been visited by a host of estimable guest stars including Wait Wait…Don’t Tell Me! host Peter Sagal, wrestler Colt Cabana, actress Felicia Day, authors Cory Doctorow and Patrick Rothfuss, as well as many more.

I recently had a chance to catch up with Arnie, Adal, and Matt to discuss their favorite episodes of the show and it was a blast. Whether you’re longtime listener or you’re just now thinking about getting started on the show, there is a lot to enjoy within.

Constant Listener: I recently saw that the show was something like third overall in Earwolf program downloads last year. How did that feel?

Matt Young: It does seem like we are doing well for Earwolf which is very exciting. I feel lucky to be part of something that I was such a big fan of prior to being on the network.

Arnie Niekamp: I did see that on Reddit, and the metrics they pulled seemed not wildly wrong from what I could tell. But also, who knows how many of those shows have huge listenership on Howl. It’s hard to really have much sense of perspective size-wise, but we do seem to have a big enthusiastic audience and we’re still growing rapidly.

Adal Rifai: As long as we’re beating Hollywood Handbook. They are our enemies

Arnie: Oh no.

Matt: No! I love those guys! That show is the best!

Arnie: Can we pick enemies that are less smart and funny?

CL: I really enjoyed hearing [Gimlet Media co-founder] Alex Blumberg continually bringing up your show on their live episode [Hollywood Handbook #136—Alex Blumberg, Our Live Helper at Being the Best Podcast at the Live Show].

Arnie: Adal and I were in the audience at the Podcast Movement conference last summer, watching Alex Blumberg give a speech and when he started talking about Magic Tavern and played a clip of Usdiore’s name, it was very surreal.

At one point he said, “Wait, are those guys here by any chance,” and we said, “Yes! Yes we are!” He mostly seemed disappointed that Matt wasn’t there. But we are starting to get to a place where people we admire have not only heard of the show but actually like it.

CL: It has got to be such a tonic to learn that you’ve arrived, when you have these luminaries who are excited to interact with you as well.

Arnie: When Mike Doughty wrote a song for our show… I could hardly believe it, because I was a huge Soul Coughing fan. And in his email he was like, “First of all, I’m still catching up so whatever you do…no spoilers!”

Matt: We are very lucky. The fact that Felicia Day tweeted about us at one point put me over the moon. To actually meet her and have her play a character we had been building up was incredible. She is very talented and was generous to help us out. And to have her immediately start throwing out references and deep cuts on the show was pretty great.

Adal: Still waiting on Lin Manuel Miranda to listen. Then I can stop and move abroad.

Matt

I love having other wizards on the show in general and seeing what their take on the archetype is, like Felicia Day, and having Charlie McCrackin want to be this character that we had built up as a bit of rival for Usidore was really gratifying.

CL: It was such an important thing for the show to do, deepening Usidore’s backstory

Matt: We had created a nugget of something that he took and blew up into this totally different kind of dissection of a fantasy trope that we hadn’t done yet. We got to see [Usidore and Spintax] as real people and rivals who happen to have these powers. I’ve always thought Usidore shouldn’t be an incompetent wizard, but a powerful wizard who is an incompetent person, so to give him a person who can go toe to toe and fill in the bits of Usidore that Usidore doesn’t want to reveal is really powerful. And Charlie is funny. Really, really funny. Arnie didn’t he reach out to you to play that role?

Arnie: Usidore mentioned Spintax in passing a few times in the show as a rival, and it just caught on as this funny, unseen character. I actually reached out to Charlie McCrackin fairly early on about doing something on the show because he’s so great, and he said, “I want to be Spintax!” We held off for a while because it was fun to build him up for a character before having him show up. It’s funny now to see that that’s episode 16 because in my memory we built it up for a long time. But now that we’re at episode 100, it’s funny to think of how long those first 16 episodes felt.

CL: Had you ever improvised with Charlie when he was living in Chicago?

Matt: Yes! Arnie and I did a few shows on our old Harold [improv] team with Charlie’s famous improv team, The Reckoning, when we were both new-ish teams. Then Charlie and I were in the first incarnation of Improvised Star Trek together before that show became a podcast. I played the Captain and Charlie was a sentient gas cloud who didn’t understand human anatomy and was the ship’s doctor.

Arnie: Charlie was on an episode of my old podcast Mystery Cove, which is actually more high concept even than Magic Tavern, and probably not worth going into here.

Matt: As a side note, I also love how other wizards’ lists of wizard titles have become a bit on the show. When Spintax said Nickelback Silverchair was his dwarven name, I definitely lost my shit.

Adal: I loved that he won the Wizard’s Choice Awards. That made me immediately want to see that as an episode, just a night of the Wizard Choice Awards.

Matt: It’s a great opportunity to make weird jokes that tell you a lot about the world.

Arnie: Charlie is my favorite kind of guest because he just comes in and wildly invents without fear. It helps that he really loved and knew the show already, but he was willing to create big things in the world, stuff that still looms large in the canon of the show. That’s so much more fun that guests being too cautious and it just turns into, “Okay, well… what kind of fork does a centaur use then?”

CL: That’s the great thing about the show, since everything spoken aloud becomes canon you are constantly growing the world and every offhand comment can become its own episode. Like the character Can The Wizard coming off of line in a letter that didn’t address Usidore by name.

Matt: Yeah, I love that Can the Wizard discovery.

Arnie: That to me, the Can thing, is what makes improv great. It’s not just, can we come up with the funniest line, or sound more naturalistic, but when you get to a weird place usually because of an accident. Someone wrote in a letter that said “can the wizard…” and that’s led to a chain reaction in show that created a character that is very central and has spawned lots of crazy theories about the central mysteries of the show.

Matt: I wouldn’t call Can central. Tertiary.

Arnie: He looms large!

Adal: Can being born is the worst thing to happen to the show

Arnie: I’m just glad to play two characters that everyone hates.

Adal: Arnie keeps trying to sell Earwolf a Can spin-off.

Adal

So my pick is actually one episode prior to Matt’s, Episode 15—Transdimensional Deliveryman with Joey Romaine.

Arnie: What we’re saying is, you can listen to the first 16 episodes and then stop.

Matt: Episodes 15 and 16 make for a great cross-section of the show just in terms of how different they are.

CL: This was the episode that was done to promote the show’s new T-shirt line with Ann Arbor Tees, right?

Arnie: I liked the idea of having a physical connection to Earth, that could maybe eventually deliver packages, but was impossible to get anything useful out of. So we asked Joey who is a delight… but also impossible to get anything useful out of.

Adal: The combination of Joey just being the funniest human I’ve ever met and the behind the scenes of the recording made it one of my favorite things of all time

CL: What happened behind the scenes while recording this episode?.

Adal: So Joey came in to record at like 8:30pm and immediately apologized because he had a hard out at 9pm.So we rush to record and there’s these small things going on where Joey is like kind of nervous and didn’t know what his name should be. So Arnie says, “Just be named Joey” and Joey lights up and is like, “Yes, of course! Amazing!” But then as soon as we started he was like, “Yeah my name is Don.” We eventually try and find an out for him [to leave] while improvising, saying things like “Welp, thanks for stopping by! I’m sure you have to go Don!” and Joey just kind of refuses to leave. His character says, “No guys! I can stay! I have all the time in the world.” Eventually we stop recording and are asking him, “Wait, don’t you need to go?” and he’s panicking and says, “Oh my god yeah, if we could wrap this up please that would be great.” So we start recording again and the same thing happens: we give him an out and he won’t take it, he wants to stick around.

Arnie: He’s pure chaos, but funny.

Adal: It was maybe the most I’ve laughed in my life. I can listen to that episode 100 times and still laugh at the humor in it and just thinking about that night.

CL: That is phenomenal.

Adal: He’s also just such an engine. You kind of hold onto the reins and let him race you toward the canyon edge.

Arnie: As the person who was trying to keep things at least a little on the rails, I was losing my mind. At one point I think I literally threw my headphones off my head, I couldn’t handle the anxiety that he was going to be late for something. But maybe that’s an issue I need to explore about myself.

Adal: I also love the immediate tension between him and Usidore.

Matt: Also, part of the reason he wouldn’t leave was he felt like he wasn’t doing a good enough job (and he was amazing).

Matt: Yes, I’m not sure why that happened. I think I just made a dumb joke about him having the same job as a bird and then he talked shit about birds and Usidore wouldn’t allow that.

Adal: Oh also, the only non-improvised part was that Joey had to say the name of the company the package [his character was delivering] was from, like that’s about all he was told, and it comes to the point where he delivers that package and Arnie says, “who is it from?” and Joey’s like, “I don’t know man, I can’t really tell.” He has such a vaudevillian energy, like I feel if he was born 70 years ago, we would all know his name and work today.

CL: I’m laughing just remembering that. It’s such a prototypical Joey Romaine moment.

Matt: He’s pure Marx Brothers.

Adal: Quick side story: he called me a few months ago and was like “Dude! I just auditioned for this HBO thing!” I told him congratulations and he’s like, “No man! that’s not the cool part. As I was leaving the casting director was like, I hate to bother you….but are you Don the Transdimensional Delivery Man?” and asked for a picture with him and told him that her husband was going to freak out that she met him.

CL: Oh my goodness. That is absolute gold.

Arnie: I’ve heard that Brooke Breit, who plays Flower, got called in for an audition for something where they were looking for a “Flower type.”

CL: Have you had other examples of the show sort of growing into the public consciousness that surprise you?

Arnie: People keep writing Yelp reviews for the Burger King that we reference in the show, with these elaborate in-jokes. I guess Yelp keeps taking them down but people keep putting them back up again. Also, I’ve seen the Vermillion Minotaur get added to Google Maps more than once.

Matt: I feel like more and more people tell me that they know someone who tells them about the show. And the person telling them about the show doesn’t realize that this person knows me or is my friend. That always surprises me, but it’s cool. That somehow it’s growing on its own.

Matt: I was at a birthday party for a friends kid and there are a bunch of adults there with their kids. I don’t know any of these adults (I don’t have kids), but one couple comes up to me and were excited to me meet because they listen to the show. They were surprised that I was there.

Arnie: You can measure the level of growth by how moderately annoyed people you work with get about their friends asking what it’s like to work with you.

Arnie

CL: That is perhaps the single most controversial episode of the show.

Arnie: From nearly the beginning we knew we wanted to do an episode where we played with the genre trope of “all this fantastic stuff isn’t really happening the hero is in a mental hospital.” So we asked Shane Wilson to be the doctor, and talked just a little bit about how we wanted to end up with him being some kind of monster that was making me think I was crazy so that he could learn how dimensional travel works and then we just jumped off the ledge and improvised it.

Matt: It’s pretty amazing how written it sounds considering it is improvised.

Adal: that’s a funny one to listen to because it’s 99% improvised but it comes off as almost scripted

Arnie: And I’m really proud of that episode and it shows what we’re capable of at a higher level of difficulty. It bounces back and forth between the fantasy world and the “real world” and even before we added the sound effects later, you could track the fast switches and we all followed each other’s lead really well.

Arnie: But by that point we had also accumulated so much detail about the world, so there was so much stuff to play with and subvert.

CL: Would you say that there is a particular facet of your improv training that helped you to navigate such a complex scenario?

Adal: I think at that point it’s all about trust

Arnie: It’s much more like what doing a live long form improv show is like. Things can get very fluid as to where you are and when you are. Things jump around. And you just have to listen and follow the lead of the other people, and when you make a big change, do something that keys everyone in. You build an internal language for the game of that show. It helps that everyone sort of knew what their game in that episode was.

Adal: Like we get humor in there but we knew that we had to navigate this idea to have depth and heart and not just bits—I can’t believe I’m saying that—so just fully trusting each other to lead us moment to moment.

CL: That episode really is quite the achievement, because in many ways it wouldn’t have worked without the patient world-building of the 58 episodes preceding it. It makes the show that much more sublime because a regular improv show has a maximum callback depth of say 30 minutes, instead of 50+ hours in your case.

Arnie: I also like that the episode is sad. I think we’d earned the opportunity to explore what was sad about escaping reality, and delusion or not, what’s sad about Arnie’s predicament. I’ve said this before but every passing day with my daughter I feel more and more sorry for the fictional version of myself that’s missing that. As silly as the show is, we also want it to have some emotional depth, and I think serialized stories especially can hold things that seem contradictory, silliness and sadness, really dumb jokes and really smart jokes.

Adal: I think it’s sad that one day your baby will grow up and realize her dad is Can the Wizard. What a sad, sad moment that will be

Arnie: But also, yes, many people hate that episode. They hate the mere suggestion that it’s not real. It’s like a slap in the face to their loving suspension of disbelief.

Adal: There was many a tweet that was like “Welp! I guess it’s all fake! Not going to listen anymore.”

CL: You have, from a very early moment in the show’s run, played with the idea of reality and the layers of truth, whether it be that the characters are active on social media, or every episode opening with your announcer, the Mysterious Man, who actively attempts to dissuade listeners from believing that the show is in any way real.

Matt: Yeah, I think the first time you get an episode with the Mysterious Man it is kind of mind-blowing. It’s pretty early on too [Ed. Note: Episode 10—Homesick). So there is always this baked in [element], that we can jump around and tell other kinds of stories.

Arnie: I’m really drawn to how something can be not real and real at the same time. That’s why I love improv, because when you see a live improv show, especially one without any props or costumes, it could not be any more blatant that it’s not real, but you also get sucked into believing in it. And the fact that it’s both is what’s interesting.

I really love Tim O’Brien’s The Things They Carried where he tells fictional stories about his time in Vietnam but then also tells true stories about what he changed in the stories and why, to get to some truth or just to protect himself emotionally. Like, to tell a story that was hard, [O’Brien] had to make it about someone else. I like those layers. But I also know that all sounds pretty pretentious when talking about the butthole podcast.

Matt: I think we should mention two episodes that we picked out as a group, just because they are both good places to check out the show if you haven’t yet: Episode 41—Skeleton, and Episode 96—Mic Check.

CL: Such good episodes.

Arnie: Skeleton with TJ Jagodowski is really just the perfect guest-focused episode. We really explore that character’s life.

CL: Right, like I remember how sweetly nuanced it is, like how at the end of episode Clax the skeleton casually reveals that he was gay before he died.

Arnie: I think TJ was realizing that about his character in that moment.

Adal: I think TJ has a bright future if he were to pursue improv.

CL: Mic Check was a revelation, honestly.

Matt: Speak on that.

CL: I think that there was a feeling that taking the show outside of the tavern would change its dynamic, but instead it was this great way to weave in all of these disparate characters that the audiences had been looking to hear from again.

Matt: Good, I think that’s what we hoped. It seems potentially strange to mix things up too much, but it’s important to not become stagnant.

Arnie: Honestly, we always intended to end that episode with Arnie getting the sword, and still being not a great hero but redeeming himself a little. And I started having that kind of heartfelt exchange with the skeleton and I think Matt couldn’t resist just bursting back in and saying, “Welp! I got the sword!” Because it was too perfect and funny not to.

CL: It happened so naturally. The audience in some way wouldn’t know what to do with Arnie having actually gotten the sword through some deus ex machina that worked in his favor, but one which works against him is kind of perfect.

Arnie: The show is at its best when we’re as surprised by what’s happening as the listener is.

Matt: Like the idea of fish mind control [Ed. note: see Episode 98—King Of The Badger]. I think I really surprised Arnie and Adal with that, and then we had this joyous run of exploring this silly, surprising idea. I surprised myself. I was backed into a corner and I had to confidently explain how a fish told me it was trapped in a tower. So, mind control.

Arnie: And now that we’ve started Season 2 it really does feel like time to explore the different things the show can do. We have had some very different episodes so far. And the show has been able to change while still retaining the central dynamic.

Hello From The Magic Tavern Arnie Niekamp

Arnie Niekamp fell through a dimensional portal behind a Burger King into the fantastical land of Foon. He's still getting a slight wifi signal, so he uploads a weekly podcast from the tavern the Vermilion Minotaur where he interviews wizards, monsters and adventurers. It's a major discovery!

• 7 JAN 2024

Patreon Unlock: Shadow City Ep 2: The Crime That Went Wrong (w/ Anthony Burch)

Enjoy this unlocked bonus episode from our Patreon! The bank heist finally begins, but soon Ma, Crusher, and Punches are in over their heads.

You can support the show directly and receive bonus episodes and rewards by joining our Patreon at https://www.patreon.com/magictavern for only $5 per month. Follow us on Twitter and Instagram, and now Patreon!

Crusher: Arnie Niekamp

Matlida “Ma” O’Brien: Matt Young

Tommy “Punches” DePlume: Adal Rifai

Game Master: Anthony Burch

Inta and Nerf: Marla Caceres and Eddie Piña

Producers: Arnie Niekamp, Matt Young, and Adal Rifai

Post-Production Coordination: Garrett Schultz

Magic Tavern Logo: Allard Laban

Theme Music: Sage G.C.

Shadow City Season 1, Ep 1 is here :)

Get tickets for our upcoming live shows at Thalia Hall and SF Sketchfest!

Check out the new merch at our Teepublic store!

Follow the show on YouTube to listen to the episode alongside two dynamic static animations of the tavern!

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

• 24 DEC 2023

Winter Solstice 2023

Arnie, Chunt and Usidore enjoy the many holiday decorations and traditions of Foon.

Arnie: Arnie Niekamp

Usidore: Matt Young

Chunt: Adal Rifai

Inta: Marla Caceres

Producers: Arnie Niekamp, Matt Young, and Adal Rifai

Associate Producer: Anna Havermann

Post-Production Coordination: Garrett Schultz

Editor: Garrett Schultz

Magic Tavern Logo: Allard Laban

Theme Music: Andy Poland

Get tickets for our upcoming live shows at Thalia Hall and SF Sketchfest!

Check out the new merch at our Teepublic store!

Follow the show on YouTube to listen to the episode alongside two dynamic static animations of the tavern!

You can support the show directly and receive bonus episodes and rewards by joining our Patreon at https://www.patreon.com/magictavern for only $5 per month. Follow us on X and Instagram, and now Patreon!

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

• 10 DEC 2023

Season 4, Ep 100 - Wizards' Choice Awards (w/ Felicia Day, Mary Holland, Rush Howell, Erika Ishii, Anthony LeBlanc, Charlie McCrackin and Martin Wilson)

The season comes to a dramatic conclusion at the Wizards' Choice Awards. Will Usidore win? What will, inevitably, go horribly wrong?

Arnie: Arnie Niekamp

Usidore: Matt Young

Chunt: Adal Rifai

Timtam the Teal: Mary Holland

Kelvaxostrastymor Ebonwing: Erika Ishii

Jyn'Leeviyah: Felicia Day

Spintax the Green: Charlie McCrackin

Jamillious Washington the Mauve: Anthony LeBlanc

Larry Birdman: Rush Howell

Blemish: Martin Wilson

Mysterious Man: Tim Sniffen

Producers: Arnie Niekamp, Matt Young, and Adal Rifai

Associate Producer: Anna Havermann

Post-Production Coordination: Garrett Schultz

Magic Tavern Logo: Allard Laban

Theme Music: Andy Poland

Get tickets for our upcoming live shows at Thalia Hall and SF Sketchfest!

Check out the new merch at our Teepublic store!

Follow the show on YouTube to listen to the episode alongside two dynamic static animations of the tavern!

You can support the show directly and receive bonus episodes and rewards by joining our Patreon at https://www.patreon.com/magictavern for only $5 per month. Follow us on X and Instagram, and now Patreon!

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

• 1 hr 22 min

• 3 DEC 2023

Season 4, Ep 99 - Security Team

Momo, Krom and Blemish prepare to manage security for the Wizards Choice Awards.

Arnie: Arnie Niekamp

Usidore: Matt Young

Chunt: Adal Rifai

Momo the Mouse: Erin Keif

Krom the Fingarian: Mark Frederick

Blemish: Martin Wilson

Mysterious Man: Tim Sniffen

Producers: Arnie Niekamp, Matt Young, and Adal Rifai

Associate Producer: Anna Havermann

Post-Production Coordination: Garrett Schultz

Editor: Garrett Schultz

Magic Tavern Logo: Allard Laban

Theme Music: Andy Poland

Get tickets for our upcoming live shows at Thalia Hall and SF Sketchfest!

Check out the new merch at our Teepublic store!

Follow the show on YouTube to listen to the episode alongside two dynamic static animations of the tavern!

You can support the show directly and receive bonus episodes and rewards by joining our Patreon at https://www.patreon.com/magictavern for only $5 per month. Follow us on X and Instagram, and now Patreon!

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

• 19 NOV 2023

Patreon Unlock: Momentos, Oh Momentos!

Enjoy this unlocked bonus episode from our Patreon! Antiquity experts appraise items both grotesque and divine. Sponsored by The Gelena Rubenstein Foundation and The Corporation for Public Spellcasting and Viewers Like You, Who We Really Don't Know; Our Main Donors Are A Terrifying, Faceless, All-Consuming Mass That We Must Appease, But Seem Mostly to Like Tote Bags.

You can support the show directly and receive bonus episodes and rewards by joining our Patreon at https://www.patreon.com/magictavern for only $5 per month. Follow us on Twitter and Instagram, and now Patreon!

The Antiquarian, Boy, Svorn Gvornsnorn, and others: Chris Rathjen

Dripfang LeDesparé, Don Ogre, Harv Blarve, and others: Kevin Sciretta

John Ogre, Suzanne the Fairy, a Ladybug, and Sultanna from Pooters: Beth Melewski

Craig: Ryan DiGiorgi

Johnny Greenjeans: Adal Rifai

Narrator: Stephen Dranger

Producers: Matt Young

Associate Producer: Anna Havermann

Post-Production Coordination: Garrett Schultz

Editor: Tim Joyce

Special Assistance: Ryan DiGiorgi, Kevin Sciretta and Chris Rathjen

Magic Tavern Logo: Allard Laban

Theme Music: Andy Poland

Tickets for the live Magic Tavern show in Chicago on Thursday January 11 at 8pm are available now!

Check out the new merch at our Teepublic store!

Follow the show on YouTube to listen to the episode alongside two dynamic static animations of the tavern!

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

• 16 NOV 2023

Chicago Live Show Announcement!

Announcing a live Magic Tavern show at Thalia Hall in Chicago on Thursday, January 11 at 8pm. Tickets are available now!

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

• © 2022 Arnie Niekamp

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Reviews for "Home Depot's Halloween Hero: The 12ft Witch Takes the Spotlight"

1. John Smith - ★☆☆☆☆

I was really disappointed with the 12ft witch from Home Depot. First of all, the quality was subpar. The material used felt cheap and flimsy, and I don't think it will last through even one Halloween season. Additionally, the assembly was a nightmare. The instructions were unclear, and it took me hours to put it together. Overall, I wouldn't recommend this product to anyone.

2. Sarah Johnson - ★★☆☆☆

I was excited to add the 12ft witch from Home Depot to my Halloween decorations, but it fell short of my expectations. The design is not as impressive as it looks in the pictures. When I received it, the witch looked smaller and less intimidating. Furthermore, the motion sensor didn't work properly half the time, making it ineffective as a prop for scaring trick-or-treaters. I expected better quality and performance for the price I paid.

3. Melissa Thompson - ★☆☆☆☆

The 12ft witch from Home Depot was a complete waste of money. The dimensions mentioned in the description are inaccurate; it's nowhere near 12 feet tall. Moreover, the fabric used for the witch's dress tore easily, and the stitching was already coming undone straight out of the box. It's not durable enough to withstand outdoor use, so I'll be returning it and searching for a better alternative. Don't bother purchasing this if you're looking for a high-quality Halloween decoration.

Reviving Halloween Magic: The 12ft Witch at Home Depot