6. WQA (Water Quality Association)

WQA adalah organisasi dunia yang membuat endorsement kepada penapis air yang ingin dipasarkan di pasaran. WQA ni ibarat PUSPAKOM yang buat semakan sebelum kenderaan dibolehkan berada diatas jalan raya.

“WQA’s Certified Product Listings are available to help connect consumers with water treatment products that have been tested and certified to industry standards.”

7. SIRIM

Penapis air sekarang mempunyai komponen elektrik dan sistem ini menggunakan watt yang besar bagi memanaskan dan menyejukkan air.

Jika tiada pensijilan SIRIM Tuan/Puan akan terdedah kepada risiko kerosakan yang boleh menyebabkan kebakaran ataupun risiko yang lain.

8. ENERGY STAR

Energy star ni adalah penunjuk kepada aras kecekapan tenaga. Jika tiada pengiktirafan jimat elektrik dari pada Energy Star (Pensijilan Dunia). Cuba Tuan/Puan semak dengan Suruhanjaya Tenaga Malaysia (Pensijilan tempatan).

Jika tiada juga ini bermakna Tuan/Puan telah membeli produk yang kuat menggunakan elektrik dan akan merugikan Tuan/Puan kerana mesin ini sentiasa ON 24 jam.

9. HARGA BULANAN

Jika dilihat dari carta ni harga bulanan Coway Neo adalah no 2 termurah berbanding model lain.

Tetapi jika dilihat dari segi saiz tangki, kualiti dan servis yang diberikan ternyata Coway Neo adalah penapis air paling murah di pasaran tempatan.

Jadilah pengguna yang bijak. Jika Tuan/Puan ada banyak soalan bermain di fikiran? Terus hubungi saya dengan klik butang di bawah untuk whatsapp.

Jika apa yang Hariz kongsikan disini membantu dan menjawab persoalan Tuan/Puan. Sila like page fb Hariz dengan klik butang dibawah sebagai tanda sokongan anda.

Tahukah anda ada apa dalam air diminum setiap hari? Kini tidak perlu bimbang lagi, SK magic kan ada.

Selasa, 11 Mei 2021 9:30 AM SK magic sentiasa menggalakkan rakyat Malaysia untuk minum air bersih dan selamat sepanjang masa.

TAHUKAH anda walaupun air telah dirawat dengan klorin di loji air, kualiti bekalan air yang kita gunakan untuk aktiviti seharian masih belum tentu 100 peratus bersih.

Mana tidaknya kerana sebelum sampai ke rumah anda, ia perlu melalui beberapa saluran paip air yang sudah lama ataupun berkarat.

Karat dan plumbum dari saluran paip yang sudah agak lama dapat menambahkan bahan cemar berbahaya pada bekalan air yang disalurkan ke rumah anda.

Jadi bayangkan kualiti air yang anda akan minum dan gunakan sepanjang masa jika anda tidak mempunyai satu sistem penulenan air 'terakhir' di rumah yang dapat membantu menapis segala kekotoran, bau dan juga bahan-bahan tercemar lain.

Sudah tentu menjijikkan bukan! Keadaan itu pasti mengundang keresahan lebih-lebih lagi bagi anda yang ada anak kecil dan golongan berusia yang tinggal serumah.

Namun seiring peredaran zaman, kewujudan syarikat pengeluar produk penulenan air bagaikan cendawan tumbuh selepas hujan tentu sekali menyukarkan anda untuk membuat pilihan terbaik.

Usah bimbang, kini diperkenalkan penulen air JIKSOO daripada SK magic, salah satu jenama pengeluar produk penulenan air terkemuka dari Korea Selatan boleh membantu anda membuat pembelian dengan bijak.

SK magic sentiasa menggalakkan rakyat Malaysia untuk minum air bersih dan selamat sepanjang masa. Namun pembiakan dan pertumbuhan alga seperti (gambar diatas) mempunyai kemungkinan yang tinggi sedang menjejaskan kualiti air yang disalurkan ke rumah kita.

Anda berpeluang merasai sendiri magis kualiti gaya hidup premium menerusi teknologi penulenan air JIKSOO yang hadir bukan sahaja untuk memudahkan tetapi mampu memenuhi keperluan harian.

Apa itu JIKSOO?

*Nama unik JIKSOO ini merupakan teknologi terbaru yang membolehkan air untuk diminum disalurkan secara terus tanpa bertakung di mana-mana tangki. Ia bertepatan dengan perkataan JIK dalam bahasa Korea yang bermaksud sentiasa mengalir, manakala SOO pula bererti air lebih bersih, tulen dan penuh mineral berupaya dihasilkan menerusi produk tersebut.

* Penulen air JIKSOO hadir dengan rekaan kompak yang mesra pengguna sesuai untuk ruang kecil di dapur dan tanpa tangki bagi air panas dan sejuk.

* Cukup sekali sentuh untuk menikmati air bersih dan segar sama ada panas, sejuk atau suhu bilik untuk menjadikan kehidupan penggunanya lebih sihat dan selesa.

* Menariknya, produk tersebut berfungsi di mana air disalurkan ke paip air keluli tahan karat, dibersihkan melalui penapis dan diekstrak untuk diminum tanpa memerlukan tangki air atau bekas menyebabkan proses penulenan itu berlaku dengan cepat.

Sebagai peneraju produk penulenan air tanpa tangki, SK magic komited memenuhi keperluan dan permintaan air bersih untuk rakyat di negara ini.

Teknologi tanpa tangki yang dicipta dengan perlindungan UV mampu mensterilkan 99% mikrob berbahaya setiap dua jam secara automatik.

Baru sahaja dilancarkan, rangkaian JIKSOO telah mengeluarkan sebuah lagi model dikenali sebagai JIKSOO Ria.

JIKSOO Ria menyediakan air yang ditapis dalam tiga tetapan suhu (sejuk, suhu persekitaran, panas) menerusi sistem pemanasan dan penyejukan segera yang canggih.

Selamat untuk kanak-kanak dan mesra pengguna, penapis air ini dilengkapi panel paparan yang direka secara estetik.

Reka bentuknya yang anggun lagi minimalis bukan sahaja membolehkannya berpadan dengan ruang kehidupan bandar yang sempit, tetapi juga tampil sebagai sebahagian daripada hiasan rumah anda.

Dilancarkan dengan harga untuk disewa pada kadar pengenalan istimewa hanya RM75 sebulan!

Model JIKSOO Hyper dihasilkan dengan alat keluli tahan karat dan bagi menjamin kualiti air yang bersih dan bebas pencemaran.

Malah sistem penapisan Nano dengan teknologi inovatif SK magic yang terdapat pada produk ini berupaya menapis virus, mikroogranisma dan logam berat sementara hanya membenarkan mineral penting sahaja.

Bagi model JIKSOO Hyper dan Rich, kedua-dua produk ini didatangkan dengan sistem tujuh tetapan suhu bersesuaian dengan kehidupan pada hari ini yang segalanya mahu cepat dan mudah.

JIKSOO Rich memudahkan pengguna mendapat air panas mahupun sejuk berserta ais menerusi sekali sentuh sahaja.

Namun model JIKSOO Rich ada keistimewaan tersendiri apabila berupaya menghasilkan sehingga 5.2 kilogram kiub ais bak kristal sehari.

Kini tiada lagi ais yang dicurigai kebersihannya kerana pensterilan UV ais selama tiga jam menjamin ketulan ais yang bersih dan selamat.

Dengan rekaan eksklusif dan elegan, model JIKSOO Rich berupaya memenuhi keperluan harian anda semudah ABC.

Kini anda mampu merasai kenikmatan air tulen dan bersih penuh mineral sama ada panas, sejuk, suhu bilik dan juga kiub air jernih bak kristal dengan serta-merta!

Dah lah hebat, Jimat Elektrik pulak tu!

Lebih istimewa, semua produk penulen air JIKSOO juga jimat elektrik kerana sistem pemanasan dan penyejukan segera hanya berfungsi apabila air panas atau sejuk dikeluarkan.

Ia juga menggunakan jumlah elektrik yang rendah tidak melebihi 1.2kWh setiap hari, dapat mengurangkan penggunaan elektrik sehingga 81 peratus lebih rendah daripada jenama lain di pasaran.

Bil elektrik setiap penggunaan juga tidak melebihi 35 sen sehari, di mana pengguna dapat menikmati penjimatan sebanyak 73 peratus!

Lindungilah orang tersayang. sudah tiba masanya untuk katakan 'Goodbye Old, Hello Magic!'. Jadi apa tunggu lagi, rasai sendiri magis produk keluaran SK magic yang pasti akan membuat anda tersenyum.

Nak tengok ke posting kelakar dan macam-macam komen? Follow kami di Instagram!

Tipu's Tiger. The 'Man-Tiger-Organ'

The wooden tiger made for Tipu Sultan, ruler of Mysore (1782-1799), is one of the most famous objects in the Victoria and Albert Museum. The almost life-size beast crouches over a prostrate European soldier, and a flap in the side of its body conceals the keyboard of an internal organ. The tiger was seized by East India Company troops after the Siege of Seringapatam when Tipu Sultan was killed and his rich treasury seized. The most valuable items were shared out on the spot between the EIC soldiers. Some time later, the wooden tiger was discovered in the music room of the palace. It was shipped to London and displayed in the Company’s new India Museum. In 1879, when the Museum’s collections were dispersed, it was transferred to the South Kensington Museum, later renamed the Victoria and Albert Museum. This chapter in a collection of essays on famous objects in the V&A describes the storming of Tipu Sultan’s capital city, the looting that followed, and the fate of Tipu Sultan’s treasury. It follows the tiger to London and charts the various places it was displayed. It demonstrates how it has inspired artists and writers from when it was first exhibited to the present day.

Related Papers

International journal of Social Science Humanity and Management Research

This article traces the journey of an iconic collection housed by Tipu Sultan at Srirangapatnam in present day Karnataka State of South India. Tipu Sultan was the ruler of Mysore from 1782 to 1799 A. D. He remains a most debated, yet fascinating person among rulers and his death at Srirangapatnam on 4 th May 1799, is an important one in Indian history. Known as the ''Tiger of Mysore'' he has gone down in history as one of the bravest warriors of all time. Tipu had learnt Persian, Arabic, Kannada, Telugu and Marathi. He learnt military arts under Ghazi Khan and the French. 'Mysuru' or Mysore is on a plateau between the mountains of the Eastern and Western Ghats; named after the demon Mahisasura of the Mahisasuramardini legend of India, from the Devi Mahatmyam, the devi being worshipped as Chamundeshwari, at the famous temple at Chamundi Hills in Mysore. The ''Wodeyars'' were the nominal rulers of Mysore. But its de facto ruler from 1782-1799 A.D, was Tipu Sultan. With his father Haider Ali who ruled as Sultan from 1761-1782 A.D, he is the only ruler to have successfully fought against the British forces. His capital was Srirangapatna or Seringapatnam, though he had a palace at Bangalore as well. Among his many treasures, his royal library at Srirangapatnam housed manuscripts on different subjects which was also dismantled after he fell, and sent to different places, as ''spoils of war'', mostly British colonial destinations in early 19 th century. The journey of the royal collection with some of its highlights and where it is preserved and provided to readers today in the 21 st century, is the mainstay of this article, along with some illustrations to convey the story well. The collection is now at various locations in India and the United Kingdom. The British Library, London and New India Office, also at London, The National Archives, New Delhi and the Asiatic Society Office at Kolkata house many of his treasures. His collection included a variety of books on different topics.

Victorian Literature and Culture

Treasures from India: Jewels from the Al-Thani Collection Opens at the Met

NEW YORK – Some 60 jeweled objects from the private collection formed by Sheikh Hamad bin Abdullah Al-Thani will be presented at The Metropolitan Museum of Art in the exhibition Treasures from India: Jewels from the Al-Thani Collection, opening October 28. The presentation will provide a glimpse into the evolving styles of the jeweled arts in India from the Mughal period until the early 20th century, with emphasis on later exchanges with the West. The exhibition will be shown within the Metropolitan Museum’s Islamic art galleries, adjacent to the Museum’s own collection of Mughal-period art.

Dagger (kard). North India, Mughal, 1620-50. Watered steel blade; jade hilt, inlaid with gold, rubies, and emeralds. Al-Thani Collection. (Photo: © Prudence Cuming Associates)

“It is with great delight that we present to the public this selection of works representing several centuries of tradition and craftsmanship in the jeweled arts—from India’s Mughal workshops to the ateliers of Paris,” Thomas P. Campbell , Director and CEO of the Metropolitan Museum, said when announcing the exhibition.

Turban ornament (jigha). North India, Mughal, 1675-1750. Gold, set with spinel, diamonds, and rubies, with hanging emeralds; emerald on stem and reverse. Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Sheikh Hamad stated: “The jeweled arts of India have fascinated me from an early age and I have been fortunate to be able to assemble a meaningful collection that spans from the Mughal period to the present day. I am delighted that The Metropolitan Museum of Art will be exhibiting highlights from the collection, making the subject known to a wider audience.”

Tipu Sultan’s Magic Box, 1780–90, South India, Mysore. Gold. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

The exhibition is made possible by Cartier.

The display will include historical works from the Mughal period in the 17th century and from various courts and centers of the 18th and 19th centuries, including Hyderabad; a group of late 19th- and 20th-century jewels made for India’s Maharajas by Cartier and other Western firms; and contemporary commissions inspired by traditional Indian forms. On view will be several antique gems that were incorporated into modern settings by Maison Cartier, jewelry designer Paul Iribe, and others. Contextual information will be provided through historical photographs and portraits of Indian royalty wearing works similar to those on view.

Turban ornament (sarpesh). South India, probably Hyderabad, ca. 1900. Gold, set with emeralds and diamonds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

India has been a vibrant center for the jeweled arts for many centuries, with its own mines yielding gold, diamonds, and many other precious and semiprecious stones. India’s Mughal rulers and their successors appreciated ceremonial and functional objects made of luxury materials. Among the Mughal works will be an elegant jade dagger originally owned by two emperors—the hilt was made for Jahangir and it was re-bladed for his son Shah Jahan, builder of the Taj Mahal. In the 19th century, the dagger was in the collection Samuel F. B. Morse, inventor of the Morse code. The hilt features a miniature sculpture—a European-style head.

Dagger (kard) with European head. North India, Mughal, ca. 1620–25 (hilt), 1629–36 (blade). Watered steel blade, inlaid with gold; jade hilt. Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Historically, the gem form favored throughout India has been the cabochon. In the traditional kundan technique, a gem is set within a bed of gold, and often backed in foil to enhance its color. Another highlight of the exhibition will be a gem-set tiger head finial originally from the throne of Tipu Sultan (1750–1799), which incorporated numerous cabochon diamonds, rubies, and emeralds in a kundan setting.

Turban Ornament (Sarpesh), South India, Hyderabad, 1800–50. Gold; set with diamonds and suspended spinel beads of earlier date. Enamel on reverse. H: 18.5 cm, W: 27.2 cm. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Also on view will be several examples of North Indian sarpesh and jigha (turban ornaments) from 1875–1900, brought together in a display that traces their evolution from traditional plume-inspired forms and techniques toward more Western shapes and construction. Silver foil backing was used; however, the diamonds were set using a Western-style claw or coronet, rather than the kundan setting.

Rosewater Sprinkler (gulabpash), circa 17th century (base) and late 18th century (neck), with inlaid rubies, emeralds and pearls. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

And a work designed by the artist Paul Iribe and made by goldsmith Robert Linzeler in 1910 in Paris recalls the kind of aigrette (decorative pin) that would have ornamented the turban of a Maharaja or Nizam. At the center is a large emerald, carved in India between 1850 and 1900.

Turban Ornament (Sarpesh), 1825–75, North India, Jaipur. Gold, set with diamonds; enamel on reverse. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

The exhibition is organized by Navina Haidar, Curator, Islamic Art Department. Exhibition design is by Michael Batista, Exhibition Design Manager; graphics are by Sophia Geronimus, Graphic Design Manager; and lighting is by Clint Ross Coller and Richard Lichte, Graphic Design Managers, all of the Museum’s Design Department.

Flask, 1650–1700, North India. Rock crystal, inlaid with gold wire, rubies, and emeralds, with gold collar, stopper, and foot. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

The exhibition will be accompanied by a catalogue published by the Metropolitan Museum and distributed by Yale University Press ($40, hardcover). Written by Navina Haidar, with a foreword by Sheila Canby, the Patti Cadby Birch Curator in Charge of the Department of Islamic Art, and contributions from Courtney Stewart, Senior Research Assistant, it draws on a study of the collection called Beyond Extravagance, edited by Amin Jaffer, that was printed by Assouline Publishing in 2013.

Crutch Handle (zafar takiya),ca. 1650, North India. Jade, carved and inlaid with diamonds and agate.The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Fly Whisk Holder (chauri), ca. 1700, North India. Jade, inlaid with gold wire and rubies. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Box (dibbi), 1740–80, North India. Jade, inlaid with gold wire, rubies, emeralds, and crystal. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Pair of Falcon Anklets, ca. 1800, North India. Jade, inlaid with gold and rubies. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Base of a Water Pipe (huqqa), 1740–80, North India, Mughal. Jade, inlaid with gold wire, diamonds, rubies, and emeralds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Huqqa Mouthpiece, 1750–1800, North India. Jade, inlaid with gold, rubies, and emeralds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Huqqa Mouthpiece, ca. 1800, North India, Mughal. Jade, inlaid with gold, diamonds, rubies, and emeralds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Punch Dagger (katar), ca. 1680–1720, North India. Watered steel blade; gold hilt, inlaid with rubies, emeralds, and diamonds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Locket Pendant, probably 17th century, North India. Gold, inlaid with rubies and emeralds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Ornament in the Shape of a Makara Head, 1775–1825, South India, Mysore or Tanjore. Gold; inlaid with diamonds, rubies, and yellow sapphire. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Pen Case and Inkwell (davat-i daulat), 16th or 17th century or later, Deccan or North India. Gold, inlaid with diamonds, rubies, and emeralds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Bird-Shaped Ornament or Finial, 1775–1825, South India. Gold, inlaid with diamonds, rubies, and emerald, with hanging seed pearls; lac core. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Bird-Shaped Pendant, 18th century, North India or South India. Gold, inlaid with diamonds, rubies, and emeralds, with hanging seed pearls; lac core. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Ritual Spoon (uddharane), ca. 1800, South India. Gold, inlaid with diamonds and rubies. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Dagger with a Yali Hilt, ca. 1800, South India, Tanjore or Mysore. Steel blade; gold hilt, inlaid with diamonds, rubies, and emeralds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Turban Ornament (jigha), 1675–1725, North India or Deccan. Jade, inlaid with diamonds, rubies, and emeralds; with hanging pearl. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Elephant-Shaped Turban Ornament (jigha), 1775–1825, South India. Gold, set with rubies, diamonds, emeralds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Turban Ornament (Sarpesh), 1875–1900, North India. Gold, set with diamonds, rubies, spinels. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Pair of Anklets, 1800–50, North India, Jaipur or Bikaner. Gold, set with white sapphires, with attached pearls and hanging glass beads; enamel on reverse. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Anklet (dastband almas), 1800–50, Hyderabad or Rajasthan, South or North India. Gold, set with diamonds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Pair of Bangles (kada), ca. 1775–1825, North India, Jaipur. Gold, set with rubies, diamonds, and pearls; enamel on interior; lac core. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Bracelet, ca. 1800, North India, Jaipur. Gold; set with rubies and diamonds; enamel on reverse. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Pair of Bracelets, 1800–25, India, Varanasi. Gold, set with diamonds, enamel on reverse. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Forehead or Turban Ornament (tika), ca. 1900, North India, Punjab. Gold, set with emeralds and diamonds, with attached pearls; enamel on reverse. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Nose Ring (nath), 1925–50, Western India. Gold, with diamonds, seed pearls, and rubies. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Nose Ring (nath), 1925–50, Western India. Gold, with diamonds, seed pearls, and emeralds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Pair of Earrings (pankhiyan), ca. 1900. Gold, set with with diamonds, with pearls and glass beads. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Upper-Arm Ornament (bazuband), 1800–1850, North India, Lahore or Jaipur. Gold, set with agate, diamonds, and enamel; enamel on reverse. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Jeweled Buckle and Slide on Silk Sash, ca. 1900, North India, possibly Delhi. Buckle and slide: gold set with emeralds, rubies, diamonds; sash: silk embroidered with gold thread. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Seal ring with hidden key. South India, Hyderabad, 1884-85. Gold, set with spinel. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Ceremonial Sword. South India, Hyderabad, 1880-1900. Steel blade; gold hilt, inlaid with diamonds, rubies, and emeralds, with applied silver wire. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Necklace (kanthi), circa 1850-75, made of gold set with diamonds and emerald. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Necklace (kanthi), 1850–1900, probably Hyderabad? Gold; set with emeralds; silver, set with diamonds; with pearls and string. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Plait Ornament (jadanagam), 1890–1910, South India. Silver, set with diamonds, rubies, and pearls. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Turban Ornament or Brooch of the Maharaja of Nawanagar, circa 1920. Platinum, set with sapphire and diamonds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Turban Ornament (jigha) of the Maharaja of Nawanagar, circa 1907 and remodeled in 1935. White gold, set with diamonds, with modern feather plume. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Jeweled Crown, ca. 1900, Nepal. Pearls, colored glass, diamonds, emeralds, and rubies, with gold brocade ribs and bird of paradise plumes; interior lined with red cloth. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Aigrette. France, Paris, designed by Paul Iribe, made by Robert Linzeler, 1910. Platinum, set with emerald, sapphires, diamonds, and pearls. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

A brooch featuring a carved emerald bordered by calibré-cut emerald and sapphire in a stylized platinum setting by Cartier, circa 1920. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Brooch by Cartier, circa 1930, with mounts circa 1650-1750. Jade, inlaid with rubies, emeralds and diamonds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Belt Brooch by Cartier, circa 1920-30. Platinum, set with emeralds, sapphires and diamonds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Shoulder Brooch by Cartier, circa 1924. Pendant tassel re-created from original records by Cartier workshops, Paris, 2012. Brooch, platinum, set with emeralds, diamonds, enamel and gold; tassel: pearls and onyx beads. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Taj Mahal Emerald. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Brooch with Carved Emeralds and Diamonds by Cartier, circa 1925, modified by Cartier in 1927. Platinum, set with emeralds, diamonds and enamel. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

The Patiala Ruby Choker by Cartier, circa 1931, restored and restrung to the original design by Cartier Tradition, Geneva, 2012. Rubies, diamonds and pearls with platinum mounts. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Turban Ornament or Brooch, ca. 1935, probably France. Platinum, set with rubies and diamonds. The Al-Thani Collection (Photo: © Prudence Cuming Associates)

Aigrette by Cartier, Platinum, set with emeralds and diamonds. The Al-Thani Collection (Photo: © Prudence Cuming Associates)

“Star of Golconda” Diamond Brooch by Cartier, 2013. Platinum, set with diamonds. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Jabot or Cliquet Brooch by JAR, 2013. Silver and gold, set with emeralds, diamonds, pearls and rubies. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Brooch by JAR, 2002. Gold, set with emerald, diamonds, rubies, rock crystal and white agate. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Pendant Brooch by Bhagat, 2011. Platinum, set with diamonds and rubies, with diamond and ruby beads. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

Pair of Bangles (kada) by Bhagat, 2012. Platinum, set with diamonds and pearls. The Al-Thani Collection. (Photo: © Prudence Cuming Associates)

This characteristic is typical of pyramid schemes, where the focus is on recruiting new members rather than selling products or services. The company has also been accused of misleading individuals through false advertising and exaggerated income claims. Some individuals have claimed that Sk Magic Tipu promised them high returns and financial freedom, only to later find that these promises were unrealistic and not achievable.

This has led to disappointment and financial losses for many individuals who were lured into joining the company. Aside from the allegations of being involved in a pyramid scheme, Sk Magic Tipu has also faced criticism for its marketing tactics. The company has been accused of using aggressive and deceptive tactics to recruit new members, including spamming social media platforms with promotional posts and messages. This has led to a negative perception of the company and has caused many people to view Sk Magic Tipu as unreliable and untrustworthy. In response to these allegations, Sk Magic Tipu has defended itself, stating that it conducts business in accordance with legal and ethical standards. The company has emphasized that it is focused on selling quality products and providing opportunities for individuals to earn an income through its multi-level marketing structure. However, the controversies surrounding Sk Magic Tipu have persisted, and many consumers and experts remain skeptical of the company's practices. In conclusion, Sk Magic Tipu is a Malaysian multi-level marketing company that has faced allegations of being involved in a pyramid scheme. The company has been accused of focusing more on recruiting new members rather than selling products, misleading individuals through false advertising, and using aggressive marketing tactics. Despite the company's claims of conducting business ethically, the controversies surrounding Sk Magic Tipu have raised concerns about the validity and legitimacy of its operations..

Reviews for "The Art of Cleaning with SK Magic Tipu: Time-Saving Techniques"

1. Jenny - 1 star

I was really disappointed with SK magic tipu. The product claims to be a magic trick set, but it is nothing more than a collection of cheap plastic toys. The tricks are not impressive at all and are easily figured out by anyone with basic knowledge of magic tricks. The quality of the props is very poor, with flimsy materials that easily break. Overall, I would not recommend SK magic tipu to anyone looking for a legitimate magic trick set.

2. Mark - 2 stars

I was expecting much more from SK magic tipu. The tricks included in the set are very basic and lack any wow factor. The instructions provided are unclear, making it difficult to understand how to perform the tricks properly. The packaging is also quite basic and cheap-looking. I would suggest investing in a higher quality magic trick set if you are serious about learning and performing magic tricks.

3. Sarah - 1 star

SK magic tipu was a total waste of my money. The tricks included in the set are incredibly simplistic and can be easily figured out by anyone with a little bit of common sense. The props themselves are poorly made and easily breakable. The instructions provided are minimal and lack any detailed explanation of how to perform the tricks effectively. Save your money and invest in a better quality magic trick set.

4. Alex - 2 stars

I was not impressed with SK magic tipu. The tricks in the set are quite basic and lack any real excitement or innovation. The quality of the props is subpar, with flimsy materials that don't hold up well. The instructions provided are also lacking in detail, making it difficult to understand how to perform the tricks correctly. Overall, I would not recommend SK magic tipu to anyone looking for a high-quality magic trick set.

The Environmental Impact of SK Magic Tipu: A Sustainable Solution