The Fall of Magix RPM The Magix RPM, also known as the Magix Resort and Power Management, was once a thriving and prosperous organization that played a crucial role in maintaining the balance of magical energy in the realm of Magix. However, its glory days have long since passed, and it now finds itself in a state of decline. This fall from grace can be attributed to a multitude of factors. One of the main reasons is the rise of alternative power sources and management systems. In recent years, technological advancements have allowed for the development of more efficient and sustainable methods of harnessing and distributing magical energy. This has made the Magix RPM's traditional methods and infrastructure outdated and relatively inefficient in comparison.
This has made the Magix RPM's traditional methods and infrastructure outdated and relatively inefficient in comparison. Another contributing factor to the fall of the Magix RPM is the waning interest and support from the magical community. In the past, the organization commanded respect and admiration from both wizards and fairies alike.
Acclaimed Music Forums
1. WEYES BLOOD, Titanic Rising
2. Big Thief, U.F.O.F.
3 Shannon Wright, Providence
4. Aldous Harding, Designer
5. TYLER THE CREATOR, Igor
6. NICK CAVE AND THE BAD SEEDS, Ghosteen
7. JPEGMAFIA, All my heroes are cornballs
8. BIG THIEF, Two Hands
9. Bertrand Belin, Persona
10. Altın Gün, Gece
Re: EOY 2019 - Magic RPM (FR)
Post by Romain » Sat Dec 21, 2019 4:52 pm
1 – Weyes Blood – Titanic Rising (Sub Pop)
2 – Big Thief – U.F.O.F. (4AD)
3 – Shannon Wright – Providence (Vicious Circle Records)
4 – Aldous Harding – Designer (4AD)
5 – Tyler, The Creator – Igor (Columbia / Sony Music)
6 – Nick Cave – Ghosteen (Ghosteen Ltd)
7 – JPEGMafia – All My Heroes Are Cornballs (EQT Recordings)
8 – Big Thief – Two Hands (4AD)
9 – Bertrand Belin – Persona (Cinq 7 / Wagram Music / Grosse Boîte)
10 – Altin Gün – Gece (Glitterbeat Records)
11 – O – À terre ! (Vietnam)
12 – Bill Callahan – Shepherd in a Sheepskin Vest (Drag City)
13 – Tindersticks – No Treasure But Hope (City Slang)
14 – La Féline – Vie future (Kwaidan Records)
15 – (Sandy) Alex G – House of Sugar (Domino Recording)
16 – Cate Le Bon – Reward (Mexican Summer)
17 – Bruit Noir – II / III (Ici, d’ailleurs…)
18 – Efterklang – Altid Sammen (4AD)
19 – Floating Points – Crush (Ninja Tune)
20- Philippe Katerine – Confessions (Cinq7 / Wagram Music)
21 – Fontaines D.C. – Dogrel (Partisan Records)
22 – Angel Olsen – All Mirrors (Jagjaguwar)
23 – Orouni – Partitions (December Square)
24 – DIIV – Deceiver (Captured Tracks)
25- Andrew Bird – My Finest Work Yet (Loma Vista Recordings)
26 – Thom Yorke – Anima (Unsustainabubble / XL Recordings)
27 – Purple Mountains – Purple Mountains (Drag City)
28 – Steve Gunn – The Unseen in Between (Matador Records)
29 – Sharon Van Etten – Remind Me Tomorrow (Jagjaguwar)
30 – Olden Yolk – Living Theatre (Trouble In Mind Records)
31 – Vincent Delerm – Panorama (Tôt ou tard)
32 – Fat White Family – Serfs Up! (Domino Recording)
33 – Jessica Pratt – Quit Signs (City Slang)
34 – Baptiste W. Hamon – Soleil, soleil bleu (Bmg Rights Management)
35 – Deerhunter – Why Hasn’t Everything Already Disappeared? (4AD)
36 – Helado Negro – This Is How You Smile (RVNG Intl.)
37 – Kevin Morby – Oh My God (Dead Oceans)
38 – Swans – Leaving Meaning (Young God / Mute)
39 – Little Simz – GREY Area (Awal Recordings)
40 – Froth – Duress (Wichita Recordings / [PIAS])
41 – Metronomy – Metronomy Forever (Because)
42 – Chris Cohen – Chris Cohen (Captured Tracks)
43 – Jungstötter – Love Is ([PIAS] Germany)
45 – Tiny Ruins – Olympic Girls (Marathon Artists)
46 – Orville Peck – Pony (Sub Pop)
47 – Hyperculte – Massif Occidental (Bongo Joe Records)
48 – Sandro Perri – Soft Landing (Constellation)
49 – Michael Chapman – Americana Vol. 1 & 2 (Mooncrest Records)
50 – Oiseaux-Tempête – From Somewhere Invisible (Sub Rosa)
51 – David Chalmin – La Terre invisible (Ici D’ailleurs)
52 – The Soft Cavalry – The Soft Cavalry (Bella Union)
53 – Lewsberg – Lewsberg (Lewsberg Records)
54 – Bill Pritchard & Frédéric Lo – Rendez-vous Streets (Water Music)
55 – Le Villejuif Underground – When Will the Flies in Deauville Drop (Born Bad Records)
56 – Sneaks – Highway Hypnosis (Merge Records)
57 – FKA Twigs – Magdalene (Young Turks)
58 – Charlene Darling – Saint Guidon (L’Amour aux mille parfums)
59 – Calexico and Iron & Wine – Years to Burn (City Slang)
60 – Ezra Collective – You Can’t Steal My Joy (Enter The Jungle)
61 – Arlt – Soleil enculé (Objet Disque)
62 – Julia Jacklin – Crushing (Transgressive Records / [PIAS])
63 – Faye Webster – Atlanta Millionaires Club (Secretly Canadian)
64 – Mohamed Lamouri – Underground Raï Love (Almost Music)
65 – Michelle Blades – Visitor (Midnight Special Records)
66 – Ride – This Is Not a Safe Place (Wichita Recordings / [PIAS])
67 – Nilüfer Yanya – Miss Universe (ATO Records / [PIAS])
68 – Biche – La Nuit des Perséides (Banquise Records)
69 – Bruce Springsteen – Western Stars (Bruce Springsteen)
70 – Derya Yıldırım – Kar Yağar (Bongo Joe)
71 – Slowthai – Nothing Great About Britain (Method Records)
72 – Cochemea – All My Relations (Daptone Records)
73 – Emily Jane White – Immanent Fire (Talitres)
74 – Flying Lotus – Flamagra (Warp)
75 – It’s Sunday – Tissue Issues (CryBaby & Howlin Banana Records)
76 – Frédéric Lo – Hallelujah! (Water Music)
77 – Jesca Hoop – Stonechild (Memphis Industries / Hoop da Hoop)
78 – Wives – So Removed (City Slang)
79 – Marble Arch – Children of the Slump (Géographie)
80 – Pierre Daven-Keller – Kino Music (Kwaidan Records)
81 – The Proper Ornaments – Six Lenins (Tapete Records)
82 – Rozi Plain – What a Boost (Memphis Industries)
83 – Michael Kiwanuka – Kiwanuka (Polydor)
84 – Tropical Fuck Storm – Braindrops (Joyful Noise Recordings / Tropical Fuck Storm)
85 – Whitney – Forever Turned Around (Secretly Canadian)
86 – Elias Dris – Beatnik Or Not To Be (Vicious Circle Records)
87- Patrick Watson – Wave (Secret City Records / Domino Recording)
88 – Gilles Poizat – Horse in the House (Carton Records)
89 – The Gotobeds – Debt Begins at 30 (Sub Pop)
90 – Theo Lawrence – Sauce Piquante (TOMIKA RECORDS / BMG)
91 – Unloved – Heartbreak (Heavenly Recordings / [PIAS])
92 – Temples – Hot Motion (ATO Records / [PIAS])
93 – Sinkane – Dépaysé (City Slang)
94 – Battles – Juice B Crypts (Warp Records)
95 – Ezra Furman – Twelve Nudes (Bella Union)
96 – Th Da Freak – Freakenstein (Howlin Banana Records)
97 – Le SuperHomard – Meadow Lane Park (Elefant Publishing / Alter K Publishing)
98 – Beck – Hyperspace (Fonograf Records, under exclusive license to Capitol Records)
99 – Fabio Viscogliosi – Rococo (Objet Disque)
100 – Stephen Malkmus – Groove Denied (Domino Recording)
Re: EOY 2019 - Magic RPM (FR)
Post by Harold » Sun Dec 22, 2019 12:42 am
There is no #44 (that's the website's fault, not Romain's). Does anyone have the printed magazine to see what the missing album is? And, as I ask every year when things like this happen - how the hell do things like this happen? Does no one PROOF before posting?
Harold Into the Groove Posts: 2327 Joined: Fri Feb 10, 2012 3:56 pmRe: EOY 2019 - Magic RPM (FR)
Post by Harold » Thu Dec 26, 2019 12:19 pm
Harold wrote: ↑ Sun Dec 22, 2019 12:42 am There is no #44 (that's the website's fault, not Romain's). Does anyone have the printed magazine to see what the missing album is? And, as I ask every year when things like this happen - how the hell do things like this happen? Does no one PROOF before posting?
Egocentric Magic - the magic of the Mind and Self. This is for magical effects that are often considered psychic in nature: telepathy, astral projection, clairsentience, etc. In GURPS terms, this magic would be powered by FP and/or an Energy Reserve (Magic).
However, as newer generations of magical beings have emerged, there has been a shift in priorities and attitudes. Many now view the Magix RPM as antiquated and unnecessary, instead preferring more independent and individualistic approaches to power management. Furthermore, internal mismanagement and corruption within the Magix RPM have played a significant role in its downfall. Over the years, reports of embezzlement, nepotism, and abuse of power have tarnished the organization's reputation and credibility. This has led to a loss of public trust and support, further exacerbating its decline. As a result of these factors, the Magix RPM has experienced a steady decline in resources, personnel, and influence. Many of its once bustling power stations and facilities now lie abandoned and in disrepair. The organization has also struggled to attract and retain talented and dedicated individuals, further hampering its ability to address its ongoing challenges. To survive and regain relevance, the Magix RPM must adapt and reinvent itself. This could include embracing new technologies and power management methods, as well as implementing transparent and accountable governance practices. Rebuilding public trust and revitalizing interest in the organization among magical beings will be paramount. Only time will tell if the Magix RPM can rise from its fall and reclaim its former glory. However, the organization must recognize and address the factors that contributed to its decline if it is to have any hope of a successful comeback..
Reviews for "The Magix RPM Catastrophe: Examining the Impact on the Pharmaceutical Industry"
1. Sara - 2 stars - I was really disappointed with "Fall of Magix RPM". The storyline felt so rushed and confusing. There were too many subplots going on and I couldn't keep up with what was happening. The character development was also lacking, I didn't feel connected to any of the characters. Overall, it just felt like a messy and poorly executed film.
2. Mike - 1 star - I honestly can't believe how bad "Fall of Magix RPM" was. The acting was terrible, the dialogue was cringeworthy, and the special effects were laughable. It felt like a low-budget, amateur production. I couldn't wait for it to be over. I wouldn't recommend this movie to anyone.
3. Emily - 2 stars - As a fan of the previous installments, I had high hopes for "Fall of Magix RPM". Unfortunately, it fell short of my expectations. The plot was predictable and lacked originality. The action scenes were poorly choreographed and lacked excitement. The whole film just felt flat and uninspiring. I was really disappointed with this movie.