"Black Magic Woman" is a classic rock song that was originally written and recorded by the band Fleetwood Mac in 1968. However, it was the cover version by Carlos Santana, released in 1970, that became the more popular and well-known version of the song. The song is characterized by its infectious Latin-infused rhythm and Santana's signature guitar playing. The guitar intro, in particular, is instantly recognizable and has become an iconic part of the song. Santana's use of guitar effects and his soulful playing style bring the melody to life and create a hypnotic and captivating atmosphere. The guitar intro of "Black Magic Woman" features a series of melodic phrases that are played over a repeating chord progression.
No matter how it’s being sold, make no mistake, LA LLORONA is a CONJURING spin-off and very much in the mold of the other films. Directed by Michael Chaves, who just landed a prime gig directing THE CONJURING 3 now that Wan has shot into the stratosphere with AQUAMAN, this is the kind of horror movie that works best for younger viewers (despite the inexplicable R-rating) and teenage couples looking for cheap scares.
Directed by Michael Chaves, who just landed a prime gig directing THE CONJURING 3 now that Wan has shot into the stratosphere with AQUAMAN, this is the kind of horror movie that works best for younger viewers despite the inexplicable R-rating and teenage couples looking for cheap scares. PLOT A widowed social worker Linda Cardellini , raising her kids in 1970s Los Angeles, inadvertently makes her family the target of an ancient curse.
The guitar intro of "Black Magic Woman" features a series of melodic phrases that are played over a repeating chord progression. Santana's use of bending and vibrato techniques, along with his tasteful use of slides and hammer-ons, adds to the emotional depth and intensity of the guitar hro. It seamlessly blends elements of rock, blues, and Latin music, showcasing Santana's versatility and unique musical style.
Review: The Curse of La Llorona
PLOT: A widowed social worker (Linda Cardellini), raising her kids in 1970s Los Angeles, inadvertently makes her family the target of an ancient curse.
REVIEW: The way THE CURSE OF LA LLORONA is being sold is puzzling. The posters all say “from the producers of THE CONJURING universe” but it’s actually directly related to that franchise. A minor character here, Tony Amendola’s Father Perez, was in ANNABELLE. Thus, it’s technically part of what’s become an extremely profitable horror franchise for Warner Bros, although perhaps La Llorona isn’t quite as immediately identifiable as Annabelle the doll or THE NUN, making it a harder sell. Part of me thinks the reason they’re not leaning into it being part of THE CONJURING universe is because they know it won’t be as big of a smash as the other movies and they don’t want articles out there saying that the franchise is running out of steam.
No matter how it’s being sold, make no mistake, LA LLORONA is a CONJURING spin-off and very much in the mold of the other films. Directed by Michael Chaves, who just landed a prime gig directing THE CONJURING 3 now that Wan has shot into the stratosphere with AQUAMAN, this is the kind of horror movie that works best for younger viewers (despite the inexplicable R-rating) and teenage couples looking for cheap scares.
It’s actually a shame LA LLORONA resorts to these kinds of cheap jump scares as Wan has typically avoided that kind of thing in his own spooky thrillers. This is more in the vein of a LIGHTS OUT than anything else, but the audience I saw it with seemed to love it, so these types of movies clearly work well enough for some.
If you’re a hardcore horror fan though, THE CURSE OF LA LLORONA is pretty weak, familiar stuff. It’s elevated somewhat by the presence of Linda Cardellini in the lead, with her bringing some real heart to her part as a new widow trying to juggle her job as a social worker with the new pressure of being a single mom. While one might question the logic of her bringing her two children to a crime scene where a couple of kids have been murdered, she’s sympathetic throughout, even if the premise is silly.
Basically, she inadvertently interferes with a mother’s efforts to protect her children from the curse, and thus finds it passed on to her. La Llorana is a vengeful spirit that seeks to possess and drown children (with the off-screen deaths of two kids early on being the only logical reason this tame horror flick would ever earn an R-rating). She goes to Amendola’s open-minded priest for help, and he hooks her up with a faith healer played by the always solid Raymond Cruz, who tries to defend the family from this evil spirit.
Overall, it’s very familiar stuff but as a pure genre exercise, undemanding audiences may enjoy it as disposable entertainment. It feels more like a dry run for Chaves before taking on THE CONJURING 3 than a fully realized film, with him playing around with tracking shots and long takes in an effort to give it some style. Even still, this is barely passable horror entertainment at best, with it a fairly bland outing that’s only for younger audiences. It’s immediately forgettable, and while some folks may have a little fun watching it none of the imagery will stick with you very long afterward.
It’s actually a shame LA LLORONA resorts to these kinds of cheap jump scares as Wan has typically avoided that kind of thing in his own spooky thrillers. This is more in the vein of a LIGHTS OUT than anything else, but the audience I saw it with seemed to love it, so these types of movies clearly work well enough for some.
"Black Magic Woman" has been highly influential in the world of guitar playing and has inspired countless musicians to learn and master the song's iconic guitar parts. It continues to be a staple in Santana's live performances, showcasing his incredible talent and artistry on the guitar. In conclusion, the guitar hro of "Black Magic Woman" is a testament to Carlos Santana's skills as a guitarist and his ability to create captivating and memorable melodies. Its unique blend of rock, blues, and Latin influences has made it a timeless classic and a favorite among guitar enthusiasts..
Reviews for "Playing with Soul: Emphasizing the Feel of "Black Magic Woman" on Guitar"
1. Rachel - 1/5 stars - I was really excited to try out "Black Magic Woman Guitar Hero" as I love the song and thought it would be a fun way to learn how to play it on the guitar. However, I was extremely disappointed with the game. The controls were unresponsive, making it difficult to hit the right notes at the right time. The graphics were also subpar, with blurry visuals and choppy animations. Overall, it felt like a cheap knockoff version of Guitar Hero. I would not recommend this game to anyone.
2. Mark - 2/5 stars - While "Black Magic Woman Guitar Hero" had a decent selection of songs and a promising concept, the execution fell short. The difficulty levels were not well balanced, with some songs being too easy while others were nearly impossible to complete. Additionally, the game lacked the immersive experience that makes playing music games enjoyable. The interface was clunky and the overall gameplay felt monotonous. It has potential, but as it stands currently, it's not worth the time or money.
3. Sarah - 1/5 stars - I was really disappointed with "Black Magic Woman Guitar Hero". The gameplay felt repetitive and simplistic, with little challenge or variation. The song selection, while featuring the iconic "Black Magic Woman", lacked diversity and depth. The graphics were outdated and the sound quality was below average. Overall, it felt like a rushed and uninspiring game that had potential but failed to deliver. I would not recommend this game to anyone who is looking for an engaging and satisfying guitar playing experience.
4. Alex - 2/5 stars - "Black Magic Woman Guitar Hero" was an underwhelming experience for me. The controls were awkward and unresponsive, making it frustrating to play. The visuals were lackluster, with outdated graphics that failed to immerse me in the game. The song choices were limited and didn't do justice to the original "Black Magic Woman". Overall, there are much better guitar games out there that offer a more enjoyable and authentic playing experience. I would advise giving this one a pass.
5. Jessica - 1/5 stars - "Black Magic Woman Guitar Hero" was a total disappointment. The gameplay was dull and uninspiring, lacking any real challenge or excitement. The controls were clunky and difficult to navigate, leading to multiple mistakes and frustration. The overall design of the game felt outdated, and the lack of variety in song choices made it repetitive and boring to play. For anyone looking for a quality guitar game, I would suggest looking elsewhere as this one falls short in every aspect.