The Intersectionality of Oppression: Silvia Federici's "Caliban and the Witch

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Silvia Federici's book "Caliban and the Witch" is a landmark work that explores the intersection of capitalism, gender, and witchcraft. In this book, Federici challenges the traditional narrative of the witch trials in Europe and argues that they were not only about religious persecution but also a deliberate strategy to subjugate women and consolidate power. Federici begins by tracing the historical context of the witch hunts, viewing them as a response to the social and economic transformations brought about by the rise of capitalism. She argues that the witch trials were a means to discipline and control the female body, which was seen as a threat to the emerging capitalist order. By labelling women as witches and associating them with devil worship and sorcery, the patriarchal system sought to delegitimize and marginalize them. One of the key arguments in "Caliban and the Witch" is that the witch hunts targeted women who resisted the enclosures of common lands and the commodification of nature.



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Caliban and The Witch: Women, The Body and Primitive Accumulation is a history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages to the witch-hunts and the rise of mechanical philosophy, Federici investigates the capitalist rationalization of social reproduction. She shows how the battle against the rebel body and the conflict between body and mind are essential conditions for the development of labor power and self-ownership, two central principles of modern social organization.

"In the neoliberal era of postmodernism, the proletariat is whited-out from the pages of history. Federici recovers its historical substance by telling its story starting at the beginning, with the throes of its birth. This is a book of remembrance, of a trauma burned into the body of women, which left a scar on humanity's memory as deep and painful as those caused by famine, slaughter, and enslavement." — Peter Linebaugh

Silvia Federici is a longtime feminist activist and teacher. In 1972 she was among the founders of the International Feminist Collective, the organization that launched the Campaign for Wages For Housework in the US and abroad. She has also been active in the anti-globalization movement and the anti-death penalty movement. Silvia Federici was a founding member of the Committee for Academic Freedom in Africa, which for more than ten years documented the struggle of African students against the austerity programs imposed by the IMF and the World Bank on African countries. She has taught in the US and in Nigeria and is Emerita Professor of Political Philosophy and International Studies at Hofstra University (Hempstead, New York). Federici is the author of many book and essays on political philosophy, feminist theory, political philosophy, cultural studies, and education.

Caliban and the Witch

Silvia Federici outlines the content of her book „Caliban and the Witch - Women, the Body and Primitive Accumulation“. Departing from a critique of the Marxist blindspot on reproductive labour, Federici aims at researching the historical process by which the exploitation of women and the construction of the unproductive housewife has been established. Federici points to the transition from the feudal to the capitalist mode of production and explains how the gender specific prosecution (witch hunt) was linked to necessity of control over bodies and the sexuality in the great transformation. Federici also presents arguments why this research is highly relevant for the analysis of women's situation in current capitalism.

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Caliban and the Witch: Women, the Body and Primitive Accumulation

One of the key arguments in "Caliban and the Witch" is that the witch hunts targeted women who resisted the enclosures of common lands and the commodification of nature. Federici contends that women played a crucial role in peasant struggles for land and resources, as they had significant knowledge of herbal medicine and contraception. By constraining women and destroying their knowledge, the ruling class sought to gain control over reproduction and ensure a steady supply of cheap labor.

Caliban and the Witch: Women, the Body and Primitive Accumulation

From Silvia Federici Current price: $19.95
Silvia federici caliban and the witch

Federici highlights the connection between the witch trials and the rise of capitalism by examining the historical conditions in which they emerged. She argues that the enclosure of land, the commodification of labor, and the emergence of a wage-based economy all played a role in creating the conditions for the witch hunts. By analyzing primary sources and historical evidence, Federici demonstrates how the witch trials were not isolated incidents but rather part of a broader campaign to discipline and control the working class. "Caliban and the Witch" also offers a feminist analysis of the witch trials, arguing that they were not only about class struggle but also an attack on women's autonomy and reproductive rights. Federici contends that the witch hunts were a precursor to the systematic oppression and marginalization of women throughout history. She emphasizes the need to reclaim the history of women's resistance against patriarchal power structures and to challenge the gendered division of labor that persists to this day. In conclusion, Silvia Federici's "Caliban and the Witch" presents a groundbreaking analysis of the relationship between capitalism, gender, and witchcraft. It provides a fresh perspective on the witch trials and their significance in the historical development of capitalism. Federici's work is an important contribution to feminist theory and offers valuable insights into the struggles faced by women both in the past and present..

Reviews for "Resisting the Colonial Gaze: Silvia Federici's "Caliban and the Witch"

1. John - 2/5
I was really disappointed with "Caliban and the Witch" by Silvia Federici. While I appreciate the author's attempt to shed light on the historical oppression of women, I found the book to be overly dense and academic. The writing style made it difficult for me to engage with the material, and I often felt lost in the author's arguments. Additionally, I felt that Federici's analysis lacked nuance and failed to consider alternative perspectives. Overall, I would not recommend this book to anyone unless they have a deep interest in feminist theory and are willing to wade through complex academic language.
2. Emily - 1/5
I couldn't finish "Caliban and the Witch" by Silvia Federici. The book is highly repetitive and filled with convoluted arguments that made it impossible for me to follow along. Federici's writing style is dry and lacks clarity, making it difficult to grasp the main points she is trying to make. Furthermore, I found the author's narrative to be one-sided and lacking in objective analysis. It felt more like a biased manifesto than an objective historical study. I would not recommend this book to anyone looking for a balanced and accessible account of women's struggles throughout history.
3. David - 2/5
While I appreciate the important subject matter of "Caliban and the Witch" by Silvia Federici, I found the book to be overly dense and inaccessible to the average reader. The author delves deep into academic jargon and theoretical concepts without adequately explaining or contextualizing them. This made it difficult for me to fully grasp the arguments being made. Additionally, I felt that Federici's analysis lacked a broader perspective and failed to address the complexities of the issues at hand. I would recommend this book to scholars and researchers in the field, but not to a general audience looking for a more accessible exploration of these topics.
4. Lucy - 2/5
"Caliban and the Witch" by Silvia Federici left me wanting more. While the book touched on important topics related to the historical oppression of women, I felt that Federici's analysis was somewhat narrow and lacking in depth. The author seemed more interested in promoting her own ideology than in providing a comprehensive examination of the subject. I also found the writing style to be dry and uninspiring, which made it difficult for me to stay engaged with the material. Overall, I felt that this book fell short of its potential and would not recommend it unless the reader is already well-versed in feminist theory.

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