In Russian folklore, witches play a prominent role and are depicted as both powerful and malevolent beings. These witches, known as "ved'ma" in Russian, are often believed to possess magical abilities and are associated with practices such as casting spells, cursing people, and shape-shifting into animals. **One of the most famous witches in Russian folklore is Baba Yaga**. Baba Yaga is a fearsome and enigmatic character, often described as an old and ugly hag who lives deep in the forest in a hut that stands on chicken legs. She is known for her iron teeth and long nose, as well as for flying around on a mortar and pestle. **Baba Yaga is a contradictory figure**.
In some ways, it was harder because there was a lot more research. I did a lot of research about Salem. I did a lot of research about pirates, which figure into it. I did a lot of research about what was happening in England at the time. But Maria just walked in the door. Sometimes that happens; a character will appear and walk through the door and just be whole. That's what happened to me with Maria, probably because she's been in my life for the past 25 years.
But Hoffman has spent the past quarter of a century living with the Owens in her head, and at last, she s giving readers the origin story they ve craved. The author of EW s quarterly romance review column, Hot Stuff, Maureen holds Master s degrees from both the University of Southern California and the University of Oxford.
**Baba Yaga is a contradictory figure**. She is sometimes seen as a wise and helpful character, providing guidance and magical aid to those who seek her out. However, more often than not, she is portrayed as a wicked and cannibalistic witch who preys on lost children and unwary travelers.
Alice Hoffman spells out how she conjured up origin story Magic Lessons
Maureen Lee Lenker is a senior writer at Entertainment Weekly with over seven years of experience in the entertainment industry. An award-winning journalist, she's written for Turner Classic Movies, Ms. Magazine, The Hollywood Reporter, and more. She's worked at EW for six years covering film, TV, theater, music, and books. The author of EW's quarterly romance review column, "Hot Stuff," Maureen holds Master's degrees from both the University of Southern California and the University of Oxford. Her debut novel, It Happened One Fight, is now available. Follow her for all things related to classic Hollywood, musicals, the romance genre, and Bruce Springsteen.
Published on September 17, 2020 Photo: Alyssa Peek; Simon & SchusterAlice Hoffman has written more than two dozen books, but her tales about the sorcery of the Owens sisters and their ilk (1995’s Practical Magic and 2017’s The Rules of Magic) remain her most enduring.
2020 marks the 25th anniversary of Practical Magic, which was also turned into a 1998 feature film starring Sandra Bullock and Nicole Kidman. But Hoffman has spent the past quarter of a century living with the Owens in her head, and at last, she's giving readers the origin story they've craved.
Magic Lessons, out Oct. 6, goes back to the 1600s and traces the family’s mystical history to founding matriarch Maria. It follows her journey from England to the Caribbean to Salem, Mass. and beyond. Unlocking the tragedies and triumphs of magic, it uncovers the genesis of the family's infamous centuries-spanning curse, which dooms any man who loves an Owens.
In advance of the book's appropriately autumnal release, we called up Hoffman to talk her lifelong obsession with witches, how she invented the Owens family, and why she'll never tire of telling stories about powerful women.
ENTERTAINMENT WEEKLY: Did you always know you wanted to tell Maria's story or was it something you came to gradually over the last 25 years?
ALICE HOFFMAN: I definitely did not think it was gonna be more than one book. If I had, I would have planned it out at the time. It was very difficult to do because I wrote Practical Magic 25 years ago. It was because my readers kept saying they wanted to go back to that family. I did too, but I just had never really thought of doing it. But I'm so glad I did. It felt like a homecoming.
Where did Maria and the Owens family come from?
[I recently found] a drawing that I did, when I was in first grade, of a witch! This is what I've been interested in since first grade. There's a reason why little girls especially are interested in witches, and it’s that witches are the only female mythic figure that have power. It's really about the power of women in a man's world.
How did writing Maria’s story compare to writing the first two books of the series?
In some ways, it was harder because there was a lot more research. I did a lot of research about Salem. I did a lot of research about pirates, which figure into it. I did a lot of research about what was happening in England at the time. But Maria just walked in the door. Sometimes that happens; a character will appear and walk through the door and just be whole. That's what happened to me with Maria, probably because she's been in my life for the past 25 years.
Lovers of Practical Magic will certainly come in with assumptions about her. Did you want to upend or subvert those?
Yes, in some ways. She revealed herself to me. I think some of the story will be a big surprise, especially who she's involved with. She's always been involved with a member of the Hathorne family. John Hathorne, who was one of the judges at the witch trials. But there's also someone else that she winds up being involved with that was a complete surprise to me so I think it will be to my readers also.
You don’t live too far from Salem. Were you able to visit for research?
I did go up there, but everything looks so different. It’s really the Massachusetts of my imagination [in the book]. It is kind of a commercial place, but there's still a spirit there. Salem now is far from Salem then. But you can feel the excitement of the people who come there. It's kind of sweet revenge.
The book is so steeped in the historical record of witchcraft and persecution. What inspired that?
Part of it was that the period necessitated it, but part of it was my interest in this early persecution of women, which was very much directed towards women who were health practitioners. Women who were not physicians, but [practitioners of] folk medicine. Women who were literate. The connection between magic and words and writing is really interesting to me. Also, I was fascinated by the Spanish Inquisition. Some of the characters are shaped by that. The persecution of people who are different, whether it's women as witches, whether it's Jews, whoever it is, it always comes from the same place of being against anyone who's different. Fear of the other.
This book has hallmarks of magic we've seen in the other books in the series, as well as new herbal curatives and magical practices. How much of those things are your own invention and how much are you drawing on folklore?
It's both. I draw a lot on real practices of healing of the time, herbal remedies, folk remedies. But some of them are invented. I have a huge magic library in my bedroom and some of the books are so strange and difficult to find. Magic Lessons has to do with she's learning all about this, and we kind of want to learn magic with her.
All the Owens women are reacting to a world afraid of powerful women. Were current events potent in your mind?
Yes, very much so. I wanted to tell her story because it's really important for us to support women. The whole idea of Puritanism, and the intolerance of the Puritans, which really added to the witch mania, was in my mind in terms of what's happening today. I'm coming to it from a sense of sisterhood. And writing about a place where if you strayed from the values, it was a sign of revolt and perversity. In our time, when you would think that was over and done with, it’s [still] so scarily with us. The last line of the book is about how love is the most important thing and the only thing that matters. This book is really about trying to have faith in the future, even in a very dark time when evil is everywhere. And that’s true right now. In this book, evil really exists. People do terrible things. And you still have to find a way to have faith in the world.
You’re writing a fourth and final book in the Practical Magic series. Can you tease it for us?
It begins in a library, and I always feel the best stories begin in a library. It’s about the whole Owens family, but it’s very much about [Practical Magic heroine] Sally’s daughters, who are now grown-ups. The beginning was calling down this curse as a way of protecting themselves, and the last book is all about breaking that curse.
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How did writing Maria’s story compare to writing the first two books of the series?
In some stories, she serves as a cautionary figure, punishing those who disrespect or underestimate her. **The tales of Baba Yaga often feature heroines who must outwit the witch in order to achieve their goals**. These heroines are typically resourceful, clever, and brave young girls who manage to outsmart Baba Yaga through wit, kindness, and perseverance. By doing so, they are able to obtain the information, assistance, or magical items they need to complete their quests. **Baba Yaga's presence in Russian folklore reflects the cultural beliefs and fears of the people**. She embodies the dangers of the wild and untamed wilderness, symbolizing the unpredictable and mysterious forces of nature. She is a reminder of the importance of respecting and understanding the natural world, as well as the consequences of crossing boundaries and challenging the supernatural. Overall, the Russian folklore witch Baba Yaga serves as both a captivating and cautionary figure. Her tales continue to fascinate audiences, not only in Russia but also around the world, as they explore themes of bravery, cleverness, and the intricate relationship between humans and the supernatural..
Reviews for "The symbolism of Russian witches in folklore"
1. Emily - 1 star - As a fan of Russian folklore, I had high hopes for this book. However, I found the storytelling to be disjointed and the characters lacking depth. The plot meandered without a clear direction, and it felt like the author was trying to include every aspect of Russian folklore without fully developing any of them. Overall, I was disappointed with "Russian folklore witch" and wouldn't recommend it to others seeking a captivating and well-developed story.
2. Andrew - 2 stars - While I appreciated the unique setting of "Russian folklore witch," I found the writing style to be overly descriptive and flowery, which made it difficult for me to fully invest in the story. Additionally, I struggled to connect with the main character and found her actions and motivations to be confusing at times. The pacing of the plot was also slow, and I felt like it took too long for the story to build momentum. Overall, I was left underwhelmed by this book and wouldn't prioritize it in my recommendation list.
3. Sarah - 2 stars - Having been enchanted by other books rooted in Russian folklore, I was excited to dive into "Russian folklore witch." However, I found the world-building lacking in depth and the magical elements felt underdeveloped. The story also had a tendency to drag on, and I often found myself longing for more action and excitement. The protagonist's journey felt predictable and the resolution lacked a satisfying payoff. It's unfortunate to say, but "Russian folklore witch" didn't live up to my expectations.