Da hip hop witch is a 2000 American horror film directed by Dale Resteghini. The film stars Eminem, Vanilla Ice, and ICP. The film follows a group of hip hop artists who enter into a battle with a witch who has kidnapped their colleague. The film takes place in a fictional Detroit neighborhood called "Da Brick," which is known for its thriving hip hop scene. The neighborhood is home to a group of up-and-coming artists, including B-Rabbit (played by Eminem), who dreams of making it big in the industry. One day, the group receives news that their friend and fellow artist, Lil Tic, has gone missing.
Well, Eminem’s people tried to bury it, for one.
When my friend spelunked it from the depths of Amazon s virtual bargain bin, we both assumed it was a Wayans brothers-type Blair Witch goof, starring various hip-hop artists in cameo roles. Now, while horror movies have never been known for their high cinematic standards, studio executives have spent millions of dollars trying to make them more appealing.
One day, the group receives news that their friend and fellow artist, Lil Tic, has gone missing. They soon discover that Lil Tic has been kidnapped by a witch who is using his powers to increase her own magical abilities. Determined to rescue their friend, B-Rabbit and his crew embark on a dangerous mission to challenge the witch.
Da Hip Hop Witch
Combining two of the most shamelessly opportunistic trends of the past few years, Da Hip Hop Witch offers a rapsploitation take on The Blair Witch Project, the horror verité blockbuster that now rivals Star Wars as the most spoofed movie of all time. Using The Blair Witch Project's ultra-low-budget documentary framework as an excuse to abandon any pretense of professionalism, Da Hip Hop Witch stars writer-director Dale Resteghini as one of five white suburban kids who set out to find the beast responsible for a series of attacks on rappers. Stacie Jae Johnson co-stars as an aspiring reporter who investigates the attacks, hoping to use the story as a springboard for a career as a journalist. But the meat of Da Hip Hop Witch, and its primary selling point, is a series of cameos from rappers, including Eminem, who later sensibly requested his scenes be deleted. Like many rapsploitation efforts, Da Hip Hop Witch reverts to a sort of pre-narrative spectacle paradigm, in which plot and characterization are secondary to the thrill of actually seeing videotaped images of real-life hip-hop stars. Similarly, its loose, improvisational quality seems attributable less to any sort of aesthetic sensibility than to sheer laziness, the recourse of filmmakers unwilling or unable to write an actual script. An ineptly filmed, atrociously acted nadir for both Blair Witch spoofs and rapsploitation—two mini-movements that weren't exactly pumping out great art to begin with—Da Hip Hop Witch ends with the words "To Be Continued," a threat far scarier than anything in the film itself.
These reports of “witch bitch” encounters spread throughout the film, but the most notable of them is delivered by Marshall Mathers himself, who recounts in many parts an incident where he took ecstasy and the Witch stuck her "basketball fingers" up his ass. Eminem later unsuccessfully sued to have his scenes removed from this film. Quickly and aggressively, Witch settles into a gripping, eldritch rhythm of bizarre plot beats and ad-libbed jokes and home video footage and montages and Vanilla Ice appearances and news bulletins and flashbacks and seances and inserts and just whatever, like literally whatever, for anywhere between one and three hours. Then, it suddenly concludes with one of the craziest endings I've ever seen, and that's Da Hip Hop Witch.
Along the way, they face numerous obstacles, including other supernatural creatures and rival hip hop groups. As the battle intensifies, B-Rabbit taps into his own inner strength and discovers his own magical abilities. With the support of his fellow artists, he finally confronts the witch in a climactic showdown. The film uses its hip hop setting as a backdrop for exploring themes of friendship, loyalty, and the power of music. It also features several performances by the cast members, showcasing their talents as hip hop artists. Da hip hop witch received mixed reviews from critics upon its release. While some praised its unique blend of hip hop and horror elements, others criticized its lack of originality and weak storyline. Despite the mixed reviews, the film has gained a cult following over the years, particularly among fans of the artists featured in the cast. It has also been credited for breaking barriers by featuring artists from different hip hop backgrounds. Overall, Da hip hop witch is an unconventional horror film that combines elements of hip hop and supernatural storytelling. It may not be for everyone, but it offers a unique and entertaining experience for fans of the genre and hip hop music..
Reviews for "The Rise and Fall of Da Hip Hop Qitch Icons"
1. Samantha - 1 star
I was really disappointed with "Da hip hop qitch". The story seemed disjointed and hard to follow, and the characters lacked depth and development. The songs were forgettable and didn't add anything to the overall experience. The choreography was also lackluster and didn't showcase the talents of the dancers. Overall, I found the whole production to be underwhelming and would not recommend it.
2. Michael - 2 stars
While "Da hip hop qitch" had some promising elements, it ultimately fell short for me. The storyline felt cliché and the dialogue was often cheesy. The music, which should have been a highlight in a hip hop musical, was repetitive and uninspiring. The performances were also lacking energy and enthusiasm. Overall, I found it to be a missed opportunity to create something truly unique and captivating.
3. Sarah - 2.5 stars
"Da hip hop qitch" had potential, but it didn't quite hit the mark for me. The plot was confusing and lacked coherence, making it difficult to fully engage with the story. The performances were decent, but nothing stood out as exceptional. The choreography felt repetitive and didn't showcase the true potential of hip hop dance. While it had some entertaining moments, overall it felt like a mediocre production that didn't live up to its hype.